http://www.davidadika.com/mother-tongue daily 0.75 2013-08-10 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376154459423-0VFR1DCRT5H4C5GZZMGI/021.jpg Mother Tongue 2002 Untitled 2002 (110/88 cm each) "In Untitled (2002), close-up photographs of wood-like Formica surfaces, David Adika stops to reflect on the material essence of a surmised object— probably a table—of which we only see the photographed outer layer. This pause is reinforced by two prints of the same material, a repetition that requires the viewer to find almost indiscernible differences. The curlicue pattern of the surface echoes both concrete and abstract “Oriental” decorative styles. The photographed Formica is actually a wood-patterned silk print which has been reduced to a thin, smooth, and wipe-able surface; an accessible surface in non-hierarchical domestic setting. The idea of the wood has been lost to the point that its essence cannot be extracted from its image. The hyper-realistic photographic technique and large format aggrandize the Formica surface, creating an image that relies on touch or memory, more than on immediate recognition." [ Dr. Tal Ben Zvi, Curator ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376154459423-0VFR1DCRT5H4C5GZZMGI/021.jpg Mother Tongue 2002 Untitled 2002 (110/88 cm each) "In Untitled (2002), close-up photographs of wood-like Formica surfaces, David Adika stops to reflect on the material essence of a surmised object— probably a table—of which we only see the photographed outer layer. This pause is reinforced by two prints of the same material, a repetition that requires the viewer to find almost indiscernible differences. The curlicue pattern of the surface echoes both concrete and abstract “Oriental” decorative styles. The photographed Formica is actually a wood-patterned silk print which has been reduced to a thin, smooth, and wipe-able surface; an accessible surface in non-hierarchical domestic setting. The idea of the wood has been lost to the point that its essence cannot be extracted from its image. The hyper-realistic photographic technique and large format aggrandize the Formica surface, creating an image that relies on touch or memory, more than on immediate recognition." [ Dr. Tal Ben Zvi, Curator ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376155068535-6WPK8V5Q1534FXN7C0IH/022.jpg Mother Tongue 2002 Untitled 2002 (145/125 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376155069467-YTAP361ZY8SQS5I196ZW/024.jpg Mother Tongue 2002 Untitled 2002 (110/125 cm each)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376155085684-M2U0F06WVUGMT1PA4XB0/020.jpg Mother Tongue 2002 "Mother Tongue" Installation View, Ein Harod Museum, 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376155102127-DXJFRWYOZ6W19163KQEZ/001.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Eli Petei 2002 (125/165 cm) "An elaboration on the biographical dimension in the economy “identity vs. imagined community” can be found in D a v i d A d i k a ’s Portraits (2002). The series was presented at the Hagar Galley in Jaffa at the same time the Mother Tongue exhibit was held at the Museum of Art Ein Harod, and includes the portraits of most of the artists who participated in the exhibit. These photographs were presented as a separate body of knowledge that corresponds with the themes of the exhibit. Like the biography, an artist’s visibility is also uncommon in the field of Israeli art. Being seen is limited to the tradition of “Self-Portrait” as painted or photographed object, or accentuated subject positions in specific works of art. The would-be typological nature of Adika’s series is undermined by a lack of uniform composition and distance/proximity games with the photographed subjects. Indeed, the photographs share certain features such as size, format, and time of capture, but these are but a means for Adika to avoid stylistic unity and convey the heterogeneity of the fractured Mizrahi experience. Facial expressions are highlighted so as not to portray the subjects as passive. Exhibiting the artists’ portraits alongside, albeit apart from, their works of art, points to a desire to go beyond the “artistic.” It suggests seeing the artists’ subjectivity as expressive of social and cultural relations beyond the creation of “works of art,” as expressive of their biographies and actual lives". [ Part from the text: Deferring Language as a Theme in the Work of Mizrahi Artists by Dr Ben Zvi, Curator ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376155110716-7TTPLZ8P08IBBPEA524C/002.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Khen Shish 2002 (125/165 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376155120213-8JWHUQISDD3R1JUXMJSZ/004.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Alice Keligman 2002 (125/165 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376155120149-8X4MTQL5N7THUXS0UTFS/005.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Adi Nes 2002 (125/165 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376155704785-VUSBXUIJOCEOAPNW70QL/006.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Tal Shushan 2002 (125/165 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376155711755-KT0CZ9MHW08QCW21RPQT/007.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Rami Maymon 2002 (125/165 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376156921762-2LVQDZ0DZZRPD3IDLRDS/008.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Netta Harari Navon 2002 (125/165 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376156934569-4PPOUK4WLXY7TZYYEP7I/009.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Yaacob Ronen Morad 2002 (125/165 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376156946856-BXAI39X6LET2HZ92ONUY/010.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Dafna Shalom 2002 (125/165 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376156958188-SKJNOR2S1LH3HTNEV3UC/011.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Mosh Kashi 2002 (125/165 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376157037893-RQERB3EHO9WZR3PIFDK3/012.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Tal Shochat 2002 (125/165 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376157048228-XKRPXECVAT8NMNKDDI9D/013.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Pinchas Cohen Gan 2002 (125/165 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376157058685-BDSBAIJIPPR79B17HT54/014.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Yigal Nizri 2002 (125/165 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376157074791-QNHR8GTEFZCJ7PJ5AQGY/015.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Eliyahou Erik Bokobza 2002 (125/165 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376157084452-1AVWBFOZPDY078KG6TW9/017.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] Baruch Shacham 2002 (125/165 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376157094605-UPNLW60WZ4PDGGWZMWMQ/018.jpg Mother Tongue 2002 Mother Tongue Portraits, Hagar Gallery, Jaffa 2002 [ Curator: Tal Ben Zvi ] David Adika (Self Portrait) 2002 (125/165 cm)   http://www.davidadika.com/fix-tikun daily 0.75 2013-08-10 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376168920307-T07R62RKVEI3ALSOBHX8/Fix_015.jpg "FIX" (Tikun) 2006 Untitled (Akko) 2006, (60/70 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376168920307-T07R62RKVEI3ALSOBHX8/Fix_015.jpg "FIX" (Tikun) 2006 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376168939866-9079AEH6DTL7I9KK32ZN/Fix_017.jpg "FIX" (Tikun) 2006 Victoria Hana 2005, (66/54 cm each) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376168949129-NU4VZGEFJ8PZQBFIXRNT/Fix_011.jpg "FIX" (Tikun) 2006 Untitled (Tel Aviv) 2006 (38/50 cm each)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376168960088-8SOF1IEX3G6M86MY8ILQ/Fix_007.jpg "FIX" (Tikun) 2006 Untitled (Yafi'aa) 2006 (110/88 cm)  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376168998921-1Q8ZDSGOMTZ6IA0HIDDI/Fix_001.jpg "FIX" (Tikun) 2006 Untitled (Jerusalem) 2006 (190/240 cm)     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169012579-HH6J8FJI8HNDOYLTMBAZ/Fix_014.jpg "FIX" (Tikun) 2006 Untitled (Akko) 2006 (60/70 cm)     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169035673-96659MXVA7K8YZ0NO9VA/Fix_002.jpg "FIX" (Tikun) 2006 Untitled (NY) 2006 (110/88 cm)     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169059759-H8N5WFXHN3UQS5CHZG6H/Fix_006.jpg "FIX" (Tikun) 2006 Untitled (Tel Aviv) 2006 (75/90 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169067857-Z3W4WTY809LCLL3AO1ON/Fix_005.jpg "FIX" (Tikun) 2006 Untitled (Tel Aviv) 2006 (75/90 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169065402-7BF0T986JKK89VDNY3E5/Fix_008.jpg "FIX" (Tikun) 2006 Untitled (L A) 2006 (65/54 cm each)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169163546-Z9ZHZKOMOXJYHEA056E5/Fix_012.jpg "FIX" (Tikun) 2006 Untitled (Glasgow) 2006 (55/45 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169187610-S2IMO6ISMWSY2G4EAUGS/Fix_004.jpg "FIX" (Tikun) 2006 Untitled (Tel Aviv) 2006 (100/84 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169187410-IQZ9NYS4VWTKHBG81TB4/Fix_003.jpg "FIX" (Tikun) 2006 Untitled (Tel Aviv) 2006 (100/84 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169336348-ZE6E3AD1ZRF9ELF8C5GH/IMG_6427.jpg "FIX" (Tikun) 2006 Fix ('Tikkun'), Solo Exhibition, Installation View, Braverman Gallery, Tel Aviv 2006  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169351618-YW3RZZT7I4NGVMKZH77X/IMG_6389.jpg "FIX" (Tikun) 2006 Fix ('Tikkun'), Solo Exhibition, Installation View, Braverman Gallery, Tel Aviv 2006    https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169369216-MFLRBKO4HPSV2UFCEJSR/IMG_6405.jpg "FIX" (Tikun) 2006 Fix ('Tikkun'), Solo Exhibition, Installation View, Braverman Gallery, Tel Aviv 2006    https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169416997-8YVA3M0D9EFHKUN2PDIG/IMG_6415.jpg "FIX" (Tikun) 2006 Fix ('Tikkun'), Solo Exhibition, Installation View, Braverman Gallery, Tel Aviv 2006    https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169442985-06FXR6DOR2WG7HO8AVAN/IMG_6403.jpg "FIX" (Tikun) 2006 Fix ('Tikkun'), Solo Exhibition, Installation View, Braverman Gallery, Tel Aviv 2006    https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169461743-NXVU6729DF7ZQQC96S66/IMG_6400.jpg "FIX" (Tikun) 2006 Fix ('Tikkun'), Solo Exhibition, Installation View, Braverman Gallery, Tel Aviv 2006    https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376169473410-9SB89HWVG39XCLZ5NXMW/IMG_6404.jpg "FIX" (Tikun) 2006 Fix ('Tikkun'), Solo Exhibition, Installation View, Braverman Gallery, Tel Aviv 2006    http://www.davidadika.com/as-the-hart-panteth-after-the-water-brooks-2007 daily 0.75 2013-08-13 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376425535673-RB99J7P63CAVS7MMWIJ2/0001.jpg as the hart panteth after the water brooks 2007 Untitled (Moshik), Tel Aviv 2007 [1/42] As the tart panteth after the water brooks 2007 "David Adika photographs visual manifestations upon which he chances, whether outside or at home: flowers, trees and foliage, knickknacks, still life of foodstuffs, corners in domestic rooms. And also, on occasion, not as frequently, women or men who in the photographs assume the status of still life. The photographic context domesticates them, as it were, into a vase. The photograph is always spectacular. Its objects are possibly the last visual manifestations to be attributed spectacularity, or alternatively, the very last on which the eye falls at all – a dry leaf, a dusty flower, watermelons in a plastic bowl on a balcony, French fries on a paper napkin in a bowl, a single cracker (!) on a marble countertop, a torn poster with an image of Beyoncé. Regardless of their status in reality, the photographer’s eye rests on them – with compassion, empathy, devotion, infatuation – and from the moment he fixes them in the camera’s digital memory, the most trifling of dry leaves acquires a super-status, the status of one-and-only. An onion floating on a white background (probably a bookstand, though barely noticeable) annexes Superman qualities and a cloudlet in the sky, as well as the very aspiration to hover. A pineapple on a table acquires dimensions at once monumental and monstrous. Yellow daffodils around a trunk are heart-rending in their solitude and brittleness… Daffodils and roses, arum lilies and other inflorescence in pink and red. More than anything – more than food, objects, and backyards – Adika repeatedly photographs flowers, in vases and on the city streets, as a pattern on a tablecloth or on the fabric of a dress. Traversing the realms of flowers involves a risk. There are traps everywhere – kitsch, banality, the commonplace, and the hackneyed. The danger of slipping down the slopes of the self-evident, runs against another, equally grave risk – of surrendering the greatest and most vibrant of secrets at the core of artistic practice, which this time also bursts forth through the title that Adika gave the series of photographs in the exhibition – “As the hart panteth after the water brooks”; and the moving continuation of the verse (Psalms 42:1) which was left out of the caption, yet flutters silently above the photographs: “so panteth my soul after thee, O God,” or plays to the sounds of Mendelssohn’s cantata for this psalm. The title encapsulates the essence of Adika’s quest in art: to seek the divine in onion and French fries, in the withered and the hindmost, the insignificant and ridiculed. The photographic medium is fundamental to this yearning which motivates him in art – the manifestations of beauty are tantamount to photographic flashes. He discusses both in terms of “flickering” beauty appears momentarily and disappears, like the shutter which captures a sight and closes. It is tempting to take this analogy further: beauty as a vast reservoir of images transpiring in the digital chip, without medium and without matter. Until they are printed on paper, the images are under the threat of loss and erasure. Their existence is fragile. Those that were printed and transformed into photographs are, in themselves, flickers from the inexhaustible reservoir, whose bulk will never materialize. Its bulk is destined to remain unknown… Adika, as might be gathered, is totally committed to the photographic medium. He creates new images Adika’s practice may be viewed as homage to photography, a vote of confidence in the medium. He goes to shoot outdoors – even if the “great outdoors” is but the boulevard outside his home or his parents’ house in Jerusalem – thus preserving yet another romantic act. Adika has an affinity with visual manifestations whose status in the real world is marginal or negligible. He operate like sharp-sighted hunters in an image jungle: everything around is luring, whispering, tempting,tingling, darting in one’s eye… but his arrow will hit only something very specific. Only his dart-like eye will identify the specific cascade, or the specific onion, or the flower at the specific angle, and then crown it. Beauty from the gutters". (Ruti Direktor, Curator) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376425535673-RB99J7P63CAVS7MMWIJ2/0001.jpg as the hart panteth after the water brooks 2007 Untitled (Moshik), Tel Aviv 2007 [1/42] As the tart panteth after the water brooks 2007 "David Adika photographs visual manifestations upon which he chances, whether outside or at home: flowers, trees and foliage, knickknacks, still life of foodstuffs, corners in domestic rooms. And also, on occasion, not as frequently, women or men who in the photographs assume the status of still life. The photographic context domesticates them, as it were, into a vase. The photograph is always spectacular. Its objects are possibly the last visual manifestations to be attributed spectacularity, or alternatively, the very last on which the eye falls at all – a dry leaf, a dusty flower, watermelons in a plastic bowl on a balcony, French fries on a paper napkin in a bowl, a single cracker (!) on a marble countertop, a torn poster with an image of Beyoncé. Regardless of their status in reality, the photographer’s eye rests on them – with compassion, empathy, devotion, infatuation – and from the moment he fixes them in the camera’s digital memory, the most trifling of dry leaves acquires a super-status, the status of one-and-only. An onion floating on a white background (probably a bookstand, though barely noticeable) annexes Superman qualities and a cloudlet in the sky, as well as the very aspiration to hover. A pineapple on a table acquires dimensions at once monumental and monstrous. Yellow daffodils around a trunk are heart-rending in their solitude and brittleness… Daffodils and roses, arum lilies and other inflorescence in pink and red. More than anything – more than food, objects, and backyards – Adika repeatedly photographs flowers, in vases and on the city streets, as a pattern on a tablecloth or on the fabric of a dress. Traversing the realms of flowers involves a risk. There are traps everywhere – kitsch, banality, the commonplace, and the hackneyed. The danger of slipping down the slopes of the self-evident, runs against another, equally grave risk – of surrendering the greatest and most vibrant of secrets at the core of artistic practice, which this time also bursts forth through the title that Adika gave the series of photographs in the exhibition – “As the hart panteth after the water brooks”; and the moving continuation of the verse (Psalms 42:1) which was left out of the caption, yet flutters silently above the photographs: “so panteth my soul after thee, O God,” or plays to the sounds of Mendelssohn’s cantata for this psalm. The title encapsulates the essence of Adika’s quest in art: to seek the divine in onion and French fries, in the withered and the hindmost, the insignificant and ridiculed. The photographic medium is fundamental to this yearning which motivates him in art – the manifestations of beauty are tantamount to photographic flashes. He discusses both in terms of “flickering” beauty appears momentarily and disappears, like the shutter which captures a sight and closes. It is tempting to take this analogy further: beauty as a vast reservoir of images transpiring in the digital chip, without medium and without matter. Until they are printed on paper, the images are under the threat of loss and erasure. Their existence is fragile. Those that were printed and transformed into photographs are, in themselves, flickers from the inexhaustible reservoir, whose bulk will never materialize. Its bulk is destined to remain unknown… Adika, as might be gathered, is totally committed to the photographic medium. He creates new images Adika’s practice may be viewed as homage to photography, a vote of confidence in the medium. He goes to shoot outdoors – even if the “great outdoors” is but the boulevard outside his home or his parents’ house in Jerusalem – thus preserving yet another romantic act. Adika has an affinity with visual manifestations whose status in the real world is marginal or negligible. He operate like sharp-sighted hunters in an image jungle: everything around is luring, whispering, tempting,tingling, darting in one’s eye… but his arrow will hit only something very specific. Only his dart-like eye will identify the specific cascade, or the specific onion, or the flower at the specific angle, and then crown it. Beauty from the gutters". (Ruti Direktor, Curator) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376425254992-AELL2GF321ZKOY57YZTJ/0002.jpg as the hart panteth after the water brooks 2007 Untitled (Beyonce), NY 2007 [2/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376425266112-75MICQZKJ3108OG4SNA2/0005.jpg as the hart panteth after the water brooks 2007 Untitled (Rice Cake), LA 2006 [3/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376425278845-WMSSCMA8LQN3MN6JGM20/0006.jpg as the hart panteth after the water brooks 2007 Untitled (Albino peacock), Safed 2007 [4/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376425288413-2I7GUAKGSZEDSRJKHU7Y/0003.jpg as the hart panteth after the water brooks 2007 Untitled (Albino peacock), Safed 2006 [5/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376425296356-K5KT7FEF855Q32TQKKXA/0004.jpg as the hart panteth after the water brooks 2007 Untitled (Albino peacock), Safed 2006 [6/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376427144199-6ANB2GRJGGYFS5WYFY1X/0011.jpg as the hart panteth after the water brooks 2007 Untitled (Watermelons), Jerusalem 2007 [7/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376427154157-C4V3NF2Q4QHX2DQL7EF0/0009.JPG as the hart panteth after the water brooks 2007 Untitled (Orange), Tel Aviv 2007 [8/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376427163145-MB76QY8NDLE53HLOAPYT/0007.jpg as the hart panteth after the water brooks 2007 Untitled (Poster), London 2006 [9/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376427171776-4RJXL246E5VSGSFQFFGF/0010.JPG as the hart panteth after the water brooks 2007 Untitled (Rose), LA 2006 [10/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376427180193-94GKKIM1XLWCWEI3T0HE/0012.jpg as the hart panteth after the water brooks 2007 Untitled Tel Aviv 2007 [11/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376427190222-UMNMRCRLC61VDV3CSK7B/0008.JPG as the hart panteth after the water brooks 2007 Untitled (Brazil), Jerusalem 2007 [12/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376427829520-RW02ZFKSKTSLB2ONKA4X/0017.JPG as the hart panteth after the water brooks 2007 Untitled, Glasgow 2006 [13/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376427837353-PY4AD420WTS1SQG92ES9/0018.jpg as the hart panteth after the water brooks 2007 Untitled (Watermelons), Jerusalem 2007 [14/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376427845807-SXZW71R88Y8ISHIU94HR/0015.JPG as the hart panteth after the water brooks 2007 Untitled, Tel Aviv 2007 [15/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376427859463-WX4TY2UYQ7Q5WQ2H4KQJ/0016.jpg as the hart panteth after the water brooks 2007 Untitled, Glasgow 2006 [16/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376427876823-50R6A8RBU14T31J7T5QH/0013.jpg as the hart panteth after the water brooks 2007 Untitled, Tel Aviv [17/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376427885182-V458AUT7P75UYPZH849N/0014.JPG as the hart panteth after the water brooks 2007 Untitled, LA 2006 [18/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376428630001-AFAPSXFRPKYB43N5EWDG/0023.jpg as the hart panteth after the water brooks 2007 Untitled (Room Service) Las Vegas 2006 [19/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376428639970-5OKEH00SPPB4I90JVDS8/0024.jpg as the hart panteth after the water brooks 2007 Untitled (Fried) LA 2006 [20/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376428647467-4K0A8AO5ZKX3AGH3B5WT/0021.JPG as the hart panteth after the water brooks 2007 Untitled (Onion), Tel Aviv 2006 [21/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376428657732-Z6OA6P308SX81M6DKDWE/0022.JPG as the hart panteth after the water brooks 2007 Untitled (Dad's Office) Jerusalem 2007 [22/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376428665299-SFLJZT2MBSFRR6K3WFO7/0019.JPG as the hart panteth after the water brooks 2007 Untitled (Ananas) Tel Aviv 2007 [23/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376428673241-96VZ5N6XDD2BEVH1RZWW/0020.jpg as the hart panteth after the water brooks 2007 Untitled, NY 2006 [24/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376429193326-QE9FTRP8265CAS0LMXZK/0029.jpg as the hart panteth after the water brooks 2007 Untitled, Tel Aviv 2006 [25/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376429203376-WAV2RVL1AJJBJLB8W44C/0030.JPG as the hart panteth after the water brooks 2007 Untitled, Jerusalem 2007 [26/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376429212863-7K5BFYSIK8TTKX4BI3YC/0027.JPG as the hart panteth after the water brooks 2007 Untitled, LA 2006 [27/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376429221459-78JQL9GX6MGY4Y6X53KN/0028.JPG as the hart panteth after the water brooks 2007 Untitled, Tel Aviv 2007 [28/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376429248378-1505LKP9ZUID8V5J45UQ/0025.jpg as the hart panteth after the water brooks 2007 Untitled, LA 2006 [29/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376429256237-CBY9N3Q6UCG4F1XKJLB8/0026.jpg as the hart panteth after the water brooks 2007 Untitled, LA 2006 [30/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376429645086-FDSX828TD6GHL1K3C2IS/0035.jpg as the hart panteth after the water brooks 2007 Untitled (Victoria Hana) Tel Aviv 2006 [31/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376429656749-EGQH9O6E3XCPPRRGZQ1O/0036.jpg as the hart panteth after the water brooks 2007 Untitled, Tel Aviv 2006 [32/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376429669354-WMYBOLZ7BDYR4UQVDN7D/0033.jpg as the hart panteth after the water brooks 2007 Untitled, Tel Aviv 2006 [33/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376429678400-1GEK4EDG2LW5NRBSS9QL/0034.jpg as the hart panteth after the water brooks 2007 Untitled, Glasgow 2006 [33/42] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376429687476-UIRYWKUITU9DRNYIGE82/0031.jpg as the hart panteth after the water brooks 2007 Untitled (Albino peacock), Safed 2006 [35/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376429696697-55DJ98D0VUEX1L67T23B/0032.JPG as the hart panteth after the water brooks 2007 Untitled, Glasgow 2006 [36/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376430026657-HX2CBGR5VC20P3IMZBYS/0041.jpg as the hart panteth after the water brooks 2007 Untitled, London 2006 [37/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376430033783-HD0JCNUZ3NMLVUDFW1BY/0042.jpg as the hart panteth after the water brooks 2007 Untitled, LA 2006 [38/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376430044349-VWAEYOO3CIFGSZWUQZYV/0039.jpg as the hart panteth after the water brooks 2007 Untitled, LA 2006 [39/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376430054064-IFX1UYTPXIUOM1JHJOG1/0040.jpg as the hart panteth after the water brooks 2007 Untitled, Tel Aviv 2006 [40/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376430065449-A659WIM8WEUAWZS073ZN/0037.JPG as the hart panteth after the water brooks 2007 Untitled, Tel Aviv 2006 [41/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376430073154-C978PUJSL56WG0F55W2M/0038.JPG as the hart panteth after the water brooks 2007 Untitled, Tel Aviv 2006 [42/42]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376430383363-OEB84M32ES3RMFLZ93Y1/LiegeB_1070165.jpg as the hart panteth after the water brooks 2007 "As the hart panteth after the water brooks", Installation View, 'Territoires' - The 6th Biennale of International Photography, Liege - Belgium [Curator: Dorothee Luczak] 2008 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376430422761-A05I3N7DI643MW935GFW/Liege_1070168.jpg as the hart panteth after the water brooks 2007 "As the hart panteth after the water brooks", Installation View, 'Territoires' - The 6th Biennale of International Photography, Liege - Belgium [Curator: Dorothee Luczak] 2008   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376430435313-USO8GZK208IQFMEFT92Y/Liege_1070161.jpg as the hart panteth after the water brooks 2007 "As the hart panteth after the water brooks", Installation View, 'Territoires' - The 6th Biennale of International Photography, Liege - Belgium [Curator: Dorothee Luczak] 2008   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376430454592-VJH5KRWEI5M4B58EWTFU/Liege_1070162.jpg as the hart panteth after the water brooks 2007 "As the hart panteth after the water brooks", Installation View, 'Territoires' - The 6th Biennale of International Photography, Liege - Belgium [Curator: Dorothee Luczak] 2008   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376430463352-FM70YNA1HG2FP93YSVLW/Liege_1070163.jpg as the hart panteth after the water brooks 2007 "As the hart panteth after the water brooks", Installation View, 'Territoires' - The 6th Biennale of International Photography, Liege - Belgium [Curator: Dorothee Luczak] 2008 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376430914788-YKOINL17FAKEH1HH39IV/Haifa1000611+copy.JPG as the hart panteth after the water brooks 2007 "As the hart panteth after the water brooks", Installation View, 'Come Thou Beauty', University of Haifa, Faculty of Humanities, The Art Gallery [ Curator: Ruti Direktor ]  2007 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376431223235-8749JIFJNGZEZ8V8BDD0/HaifaL1000606.jpg as the hart panteth after the water brooks 2007 "As the hart panteth after the water brooks", Installation View, 'Come Thou Beauty', University of Haifa, Faculty of Humanities, The Art Gallery [ Curator: Ruti Direktor ]  2007   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376431231675-OX56BJKXNFV1958EOPYG/HaifaL1000601.jpg as the hart panteth after the water brooks 2007 "As the hart panteth after the water brooks", Installation View, 'Come Thou Beauty', University of Haifa, Faculty of Humanities, The Art Gallery [ Curator: Ruti Direktor ]  2007   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376431364470-8VLPNVGN1PLQZSP6YGZF/Haifa1000612.jpg as the hart panteth after the water brooks 2007 "As the hart panteth after the water brooks", Installation View, 'Come Thou Beauty', University of Haifa, Faculty of Humanities, The Art Gallery [ Curator: Ruti Direktor ]  2007   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376431372534-TXSXTLIYTWNQPGQA110S/Haifa1000613.jpg as the hart panteth after the water brooks 2007 "As the hart panteth after the water brooks", Installation View, 'Come Thou Beauty', University of Haifa, Faculty of Humanities, The Art Gallery [ Curator: Ruti Direktor ]  2007   http://www.davidadika.com/-eclectic-gallery- daily 0.75 2013-09-14 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376940200683-A34CUVR03SJG0SAE03SC/DA_Eclectic_0001.jpg ~ Eclectic Gallery ~ Untitled (Omer), Tel Aviv 2010  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376940200683-A34CUVR03SJG0SAE03SC/DA_Eclectic_0001.jpg ~ Eclectic Gallery ~ Untitled (Omer), Tel Aviv 2010  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376940275263-8ITXYRIGVTYJ7UG1LK19/DA_Eclectic_0002.jpg ~ Eclectic Gallery ~ Untitled (corner), Jerusalem 2012 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376940393574-9QM4H9BYZY7QT7LWB2MU/DA_Eclectic_0005.jpg ~ Eclectic Gallery ~ Untitled (Skin Tone Test), Tel Aviv 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376940443489-K4LOFNIF62FPY44F9NNF/DA_Eclectic_0006.jpg ~ Eclectic Gallery ~ Untitled (Equator in Process), Philadelphia 2012 [Untitled (Man in the Dryland, Yehiel Shemi), Cabri 2012 (90/120 cm)  ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376940578861-8932DD46S51KY5DTJUUH/DA_Eclectic_0007.jpg ~ Eclectic Gallery ~ Untitled (A4), NY 2012   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376940671821-7FVY2Z25HW9M1G9IZDA2/DA_Eclectic_0004.jpg ~ Eclectic Gallery ~ Untitled (Ocen), NY 2012   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376940971085-6M0LY2SSL7P9VS35MJ0G/DA_Eclectic_0003.jpg ~ Eclectic Gallery ~ Untitled (I called him "Mahogany"), NY 2012   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1377939116563-B9X5QGLZOLFATEIZ6AHY/ADIKA_L1171051BW.jpg ~ Eclectic Gallery ~ Untitled (Shell), 2012 (diptych) 56/79 cm each   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1379190413889-LJ8NQ2NEDIIA04XPBPWP/DA_L1171807.jpg ~ Eclectic Gallery ~ Untitled ("Testing Still Life"), Tel Aviv 2012 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1379190417577-A9USQ73FR25JOIFKNW2F/SLBZ_L1171842.jpg ~ Eclectic Gallery ~ Untitled ("Testing Still Life"), Tel Aviv 2012 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1379190561065-XWXAB27NK7PQYTEXTFEN/SLBZ_L1171841.jpg ~ Eclectic Gallery ~ Untitled ("Testing Still Life"), Tel Aviv 2012   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1393969409367-B64J4T8DX9MKLLI54CXM/Option_002.jpg ~ Eclectic Gallery ~ https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1393969467487-09ASAK91KWJTJ9NZLBYV/Option_001.jpg ~ Eclectic Gallery ~ https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1393969498493-XF6SEKC3FQH62RFER9WD/Option_003.jpg ~ Eclectic Gallery ~ https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1393969524857-QRF0YZSQSZE50T6XBX13/Option_004.jpg ~ Eclectic Gallery ~ https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1393969554100-E0RB72YMYW0OMM65MNRZ/Option_005.jpg ~ Eclectic Gallery ~ http://www.davidadika.com/events daily 0.75 2013-04-01 http://www.davidadika.com/events/2013/4/15/event-one monthly 0.5 2013-04-01 http://www.davidadika.com/neue-berlin daily 0.75 2013-08-10 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375876696248-F5Y2WV3ZK1BM0TH9IB54/4G8G1329.jpg Salon 2010 Untitled (Jefferson), Paris 2008 (124/85 cm) "David Adika's work in the Exhibition 'Living Room' (Salon) combines portrait and still life photographs. It is distinguished by its sensitive and precise treatment of overt and covert cultural tensions between East and West, high and low, aggressive and restrained. Concurrently, his work offers an alternative or renewed organization of intimacy. Portrait transforms into object, wall becomes frame, space turns into a work of art, in a manner which eludes the viewer's perception as to the distance or proximity between the artist and his subjects. The work spans close-up photographs of friends and objects extracted from Adika's private world, taken with gaze which is shaped and constructed via accumulation and delay, through profound acquaintance, rather than yearning for closeness or exploration of its very feasibility. The result is meticulous, exact, stoic, yet not necessarily perfect photographs, which are presented with all the beauty and quirkiness of their objects, their built-in symbolism, deviations and flaws". [ From the text Between 'East and West' by Hadas Maor (Curator), 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010 ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375876696248-F5Y2WV3ZK1BM0TH9IB54/4G8G1329.jpg Salon 2010 Untitled (Jefferson), Paris 2008 (124/85 cm) "David Adika's work in the Exhibition 'Living Room' (Salon) combines portrait and still life photographs. It is distinguished by its sensitive and precise treatment of overt and covert cultural tensions between East and West, high and low, aggressive and restrained. Concurrently, his work offers an alternative or renewed organization of intimacy. Portrait transforms into object, wall becomes frame, space turns into a work of art, in a manner which eludes the viewer's perception as to the distance or proximity between the artist and his subjects. The work spans close-up photographs of friends and objects extracted from Adika's private world, taken with gaze which is shaped and constructed via accumulation and delay, through profound acquaintance, rather than yearning for closeness or exploration of its very feasibility. The result is meticulous, exact, stoic, yet not necessarily perfect photographs, which are presented with all the beauty and quirkiness of their objects, their built-in symbolism, deviations and flaws". [ From the text Between 'East and West' by Hadas Maor (Curator), 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010 ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375876706348-OCQ67EYCXU4UQ0RG50ID/4G8G1327.jpg Salon 2010 Untitled (Jefferson), Paris 2008 (124/85 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375876720669-G7FIOQ28D8Q9QF795M2Z/4G8G1478.jpg Salon 2010 Untitled (Chocolat Noir, Tour Eiffel), Paris 2008 (124/85 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375876730302-A1MPMKXARN8GLSDO8CQ0/4G8G1509.jpg Salon 2010 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010 "The enigmatic images often function as reference, as principle signs, whose essential stand-taking is accumulated in their interstices. Thus, for example, in the diptych: Untitled (Jefferson), Untitled (Chocolat Noir, Tour Eiffel), the right side portrays a dark-skinned man whose sculpted body is all exposed, save a shiny earring and metal chain around his neck, which flutters over his body. The left part of the diptych features the Eiffel Tower, the iconic emblem of Paris in particular and France in general, yet this is not an image of the real, monumental iron tower, but a scaled-down model made of dark chocolate. The French term denoting dark chocolate - 'chocolat noir' - (literally "black chocolate") - introduces a linguistic echo for the visual aspect of the man's skin tone, prompting critical contemplation of the affinities between the two sections of the diptych, as well as the issue of French nationality and the ways in which to be part it. (Since the image does not provide information about the man's civil/sociological/economic status, he could be a born French citizen, an African emigre, a refugee devoid of rights, or any combination of all above). Thus, the gap between so-called stable and fluid notions is radicalized, and at the same time - elucidated." [ From the text Between 'East and West' by Hadas Maor (Curator), 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010 ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375876749516-JQR8R0EHZ47JD9QE4WO8/4G8G0013.jpg Salon 2010 Untitled (David), Tel Aviv 2009 (124/85 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375876754363-SGTIGOCIKFEGEH75YZCF/4G8G1361.jpg Salon 2010 Untitled (Black Head), Tel Aviv 2010 (80/56 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375876760570-21E2INKY7UMJEXP7WEOC/4G8G1154.jpg Salon 2010 Untitled (Aline), Tel Aviv 2010 (124/85 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375876767073-TKE2FI88A3L9H5LQ2H8Y/4G8G1490.jpg Salon 2010 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375876771894-AN3WKRYCQMIRUYSQ6L4B/4G8G1495.jpg Salon 2010 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375876787876-WDO2IIKQW96QL1FJ7RO2/4G8G0687.jpg Salon 2010 Untitled (Michal), Tel Aviv 2010 (54/38 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375876786453-NI4DRUI3T6W7BTA1II4Q/4G8G0649.jpg Salon 2010 Untitled (Nature Morte), Paris 2008 (67/97 cm)  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877594251-EDQM9AOD4LU24NDQBMM7/4G8G2375.jpg Salon 2010 Untitled (Abdellah Taia A), Paris 2008 (60/42)  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877600851-CFUEMA1VGBNSZ27MNC1V/4G8G2381-2.jpg Salon 2010 Untitled (Abdellah Taia B), Paris 2008 (60/42)     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877561244-0IAGEH3XPLOT2K13YFHS/4G8G1927b.jpg Salon 2010 Untitled (Jonathan), Paris 2008 (124/85 cm)     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877636664-FFIJHUEO8QQPOH5J73QC/4G8G0460.jpg Salon 2010 Untitled (Osnat), Tel Aviv 2010 (70/49 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877658458-BPEKPMOHOYNGG727PWJP/4G8G1497.jpg Salon 2010 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877645704-Y461REDR5YF0A96ZIZD8/4G8G1504.jpg Salon 2010 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877795954-C6RVA4S2SUK5UNL5VL4C/4G8G1501.jpg Salon 2010 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877815911-9ATN2BBZZGPN3Q31J4LI/L1140199.jpg Salon 2010 Untitled (David), Dead Sea 2009 (70/42 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877866558-4XX1Y31UJ16Z2Q53TR9U/4G8G1021.jpg Salon 2010 Untitled (Omer), Tel Aviv 2010 (87/61 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877875108-U2T77F45W2V5Y253H9GV/L1070393.jpg Salon 2010 Untitled (Batia), Tel Aviv 2008 (38/63 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877900291-3WIO8JOM9GGP34JFODPY/4G8G1971.jpg Salon 2010 Untitled (Yellow Orchid) Paris 2008 (124/85 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877926640-GKNGM45DCYIZUO94IZNI/4G8G2866.jpg Salon 2010 Untitled (Neria) Tel Aviv 2009 (54/38 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375958281010-K8TSJ0WPCRSMGEAZ8N6P/4G8G1514.jpg Salon 2010 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877957740-NAI5S736PHVOQ3Q3Q082/L1140190.jpg Salon 2010 Untitled (Uri R G B), Dead Sea 2009 (38/63 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375878029253-YAG7PH0HH6PFI96OJKVI/4G8G2580.jpg Salon 2010 Untitled (Pineapple wearing red & pink), Paris 2009 (54/38 cm)  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375877975786-NSWSV5Y3GDK06MMNOJTR/4G8G2581.jpg Salon 2010 Untitled (Pineapple wearing red & pink), Paris 2009 (54/38 cm)    https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375958238510-2HDZ5DYNKPTJHNTX3USD/4G8G1515.jpg Salon 2010 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375878073664-9RBAT564DH2IIAATGC50/4G8G1576.jpg Salon 2010 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010 "The work's display in the exhibition also involved painting some of the exhibition walls, an act which reinforced the decorative potential of the work, but at the same time reveled itself as an expansion of conceptual themselves. The wall hues were, in fact, skin colors, whether lighter or darker, concatenating the gamut of skin tones appearing in the works. The colors' presence on the walls, as an additional frame for the the work, underscores its displayable dimension, a dimension which makes educated use of the practice of hiding and beautification innate to the application of make-up and their link to presentability, but also concealment. In so doing, Adika's work exposes, as a self-evident, the fact that the aesthetic is political, that the cultural is aggressive, that the familiar is accepted. At the same time, it strives to expand the boundaries of this notions, and thereby to undermine them". [ From the text Between 'East and West' by Hadas Maor (Curator), 'Living Room', installation view, Tel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv 2010 ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375878078779-B7HV6HR02CVOWY7217IK/L1140975.jpg Salon 2010 Untitled (Bitanya), Tel Aviv 2010 (80/56 cm)  http://www.davidadika.com/oululu2011 daily 0.75 2013-08-10 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872391734-6J9CVZ26WE5TU7I4EZFT/Oululu_001.jpg Oululu 2011 Untitled (Nancy, Special Edition), Paris 2009 (100/150 cm) Untitled (Nancy, Special Edition), is a photograph of a coca cola can on which the image of the lebanese superstar singer nancy is printed. the singer, who is a goodwill ambassador for unicef, has also starred as the official face of the soft drink giant during a marketing campaign in the arab world. OULULU (tell him), solo exhibition by the acclaimed israeli photographer David Adika. a large part of Adika’s work focuses on the visual and cultural components of the Israeli domestic space as a microcosm that represents and re"ects upon social and familial identities. his images blur the boundaries between an abstract conceptual visual language and a lush visual accuracy. or many years, the artist has used this vocabulary to examine the tension within the Israeli society, between the two main ethnic groups, the ashkenazi jews (descents of the European communities of the jewish diaspora) and the sephardic jews (descents of the arab and north african communities of the jewish diaspora). there is a long-standing conflict between these two groups, dating from the beginning of the Zionist movement in the late 19th century, which is still at play in the political, cultural and economical arenas of the diverse and volatile current israeli society. each ethnic group holds on to its own cultural and aesthetic values, as part of its differentiation process from the other. david adika’s point of view - that of the observer, never the judge - transcends beyond the taken images and offers a complex set of meaningful nuances. in this new body of works, the artist is taking his profound language and, as if zooming out, applying it into a larger canvas, where he is pointing us towards a complex set of differences and resemblances between the Israeli jew and the israeli arab, as well as between the former and his neighboring arab countries. indeed, the artist is still the observer, but now the one who looks outside. many of the images were collected during the artist’s regular wandering of the streets of Jewish and Arab cities and villages in israel. some are of people and objects he met or picked up along the way, within israel and beyond it, in the surrounding middle east. long stays in different european cities have provided Adika with an opportunity to meet some of his neighbours/’enemies’ on neutral grounds. in arabic, the name of the exhibition, 'oululu', means 'tell him'. it is a name of a song by the classic Arab singer abdel halim hafez. David Adika has childhood memories in which his grandmother sang this song. as part of an earlier Zionist dogma, new Jewish immigrants in Palestine, and then in israel, were discouraged from speaking their original mother tongues. within the story of the israeli-arab conflict, the usage of Arabic was even more contentious. hence, the title might suggest a secret world. the ambiguity of meaning is enhanced by the fact that this love song is sung by one man to another. the exhibition comprises some twenty photographs and two prints, which are displayed in the different rooms of the gallery as a complex installation by the artist. the images vary in sizes and are either standalone or grouped, on brightly painted walls. [ Adi Gura, Curator ]  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872391734-6J9CVZ26WE5TU7I4EZFT/Oululu_001.jpg Oululu 2011 Untitled (Nancy, Special Edition), Paris 2009 (100/150 cm) Untitled (Nancy, Special Edition), is a photograph of a coca cola can on which the image of the lebanese superstar singer nancy is printed. the singer, who is a goodwill ambassador for unicef, has also starred as the official face of the soft drink giant during a marketing campaign in the arab world. OULULU (tell him), solo exhibition by the acclaimed israeli photographer David Adika. a large part of Adika’s work focuses on the visual and cultural components of the Israeli domestic space as a microcosm that represents and re"ects upon social and familial identities. his images blur the boundaries between an abstract conceptual visual language and a lush visual accuracy. or many years, the artist has used this vocabulary to examine the tension within the Israeli society, between the two main ethnic groups, the ashkenazi jews (descents of the European communities of the jewish diaspora) and the sephardic jews (descents of the arab and north african communities of the jewish diaspora). there is a long-standing conflict between these two groups, dating from the beginning of the Zionist movement in the late 19th century, which is still at play in the political, cultural and economical arenas of the diverse and volatile current israeli society. each ethnic group holds on to its own cultural and aesthetic values, as part of its differentiation process from the other. david adika’s point of view - that of the observer, never the judge - transcends beyond the taken images and offers a complex set of meaningful nuances. in this new body of works, the artist is taking his profound language and, as if zooming out, applying it into a larger canvas, where he is pointing us towards a complex set of differences and resemblances between the Israeli jew and the israeli arab, as well as between the former and his neighboring arab countries. indeed, the artist is still the observer, but now the one who looks outside. many of the images were collected during the artist’s regular wandering of the streets of Jewish and Arab cities and villages in israel. some are of people and objects he met or picked up along the way, within israel and beyond it, in the surrounding middle east. long stays in different european cities have provided Adika with an opportunity to meet some of his neighbours/’enemies’ on neutral grounds. in arabic, the name of the exhibition, 'oululu', means 'tell him'. it is a name of a song by the classic Arab singer abdel halim hafez. David Adika has childhood memories in which his grandmother sang this song. as part of an earlier Zionist dogma, new Jewish immigrants in Palestine, and then in israel, were discouraged from speaking their original mother tongues. within the story of the israeli-arab conflict, the usage of Arabic was even more contentious. hence, the title might suggest a secret world. the ambiguity of meaning is enhanced by the fact that this love song is sung by one man to another. the exhibition comprises some twenty photographs and two prints, which are displayed in the different rooms of the gallery as a complex installation by the artist. the images vary in sizes and are either standalone or grouped, on brightly painted walls. [ Adi Gura, Curator ]  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872452065-XIOTFJKJ5V5PMCWR7MBY/Oululu_002.jpg Oululu 2011 Untitled (Body Master), Nazareth 2009 (86/120 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872452280-3DBSGV93EP17JUSC8Y0Y/Oululu_003.jpg Oululu 2011 Untitled (Studio Alward), Nazareth 2010 (86/127 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872457266-39OQ0T6I4SV2V5OBIF8Z/Oululu_004.jpg Oululu 2011 Untitled, Nazareth 2010 (60/87 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872474017-X30GVN9DMEFGK3T24VK5/Oululu_005.jpg Oululu 2011 Untitled (Albino/Muted peacock ), Safed 2009 (33/50 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872477494-4DE9LTFNHTAFCRU29Q54/Oululu_010.jpg Oululu 2011 Untitled (Albino/Muted peacock ), Safed 2009 (33/50 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872479553-P5JVWD6F90GFWIN69Y10/Oululu_011.jpg Oululu 2011 Untitled (Salame), Tel Aviv 2010 (41/58 cm)  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872494962-B64147A5C2SM0A8IEN1X/Oululu_006.jpg Oululu 2011 Untitled, (Nazareth) 2010 (60/90 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872499830-U4DAEIIAXC7BQ3O30KH7/Oululu_007.jpg Oululu 2011 Untitled, Nazareth 2010 (60/90 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872563397-YO5EUN4GF7BE09HGEIUN/Oululu_012.jpg Oululu 2011 Untitled (bed), Paris 2009 (33/50 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872506439-HKGIM0ERNGXY5KNPXZ3R/Oululu_009.jpg Oululu 2011 Untitled (Charles Klor Park ), Tel Aviv Yaffo 2009 (33/47 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872554230-C7EQC5MYFAZUFR2IQ7NY/Oululu_008.jpg Oululu 2011 Untitled (Bney Brak), 2009 (42/68 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375872554536-YH7YKS6O5S9UBHMA1TE9/Oululu_013.jpg Oululu 2011 Untitled, Tel Aviv 2010 (31/39 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375990626968-ICXC2POIM6DHD2QS8SQL/Untitled-1.jpg Oululu 2011 Untitled (Bulent Ersoy), 2009 (mixed media, inject color print, gold silk print) (100/100 cm) 'oululu', means 'tell him'. it is a name of a song by the classic Arab singer Abdel Halim Hafez.  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375991036761-WB4YK2UCO9PG33BE3UPG/ECG-DA-8142.jpg Oululu 2011 Oululu, Installation View, East Central Gallery, London 2011 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375991512135-6NDFM9BHXMHRJWUFREB8/ECG-DA-8110.jpg Oululu 2011 Oululu, Installation View, East Central Gallery, London 2011 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375991512932-R20TQERPE0NTN9F9J6L0/ECG-DA-8119.jpg Oululu 2011 Oululu, Installation View, East Central Gallery, London 2011 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375991516606-S7VB2KJ0O4J6L7IVULOL/ECG-DA-8123.jpg Oululu 2011 Oululu, Installation View, East Central Gallery, London 2011 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375991554193-6JOEWQ3FJN8SLCYB76MO/ECG-DA-8086.jpg Oululu 2011 Oululu, Installation View, East Central Gallery, London 2011 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375991557246-UYRGSN6RYLNC17UVJLXG/ECG-DA-8089.jpg Oululu 2011 Oululu, Installation View, East Central Gallery, London 2011 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375991560107-Y87W1XPX0B1DZKN24K59/ECG-DA-8133.jpg Oululu 2011 Oululu, Installation View, East Central Gallery, London 2011 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375991724619-FL2AW0V6RA9KC9GUKQ3S/ECG-DA-8144.jpg Oululu 2011 Oululu, Installation View, East Central Gallery, London 2011 http://www.davidadika.com/equator2012 daily 0.75 2014-12-21 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870240654-OOG0UH1TGRO6QCN105G7/Equator_005.jpg Equator 2012 Untitled (Shlomi) Dead Sea, 2011 (60/90 cm) "David Adika’s photographic installation, EQUATOR, explores the imaginary lines which divide people and places: East and West, North and South, past and present. In a series of color and black & white archival inkjet prints representing four geographically diverse regions in Israel, Adika creates a map of experience, written across the face of the Israeli landscape and its people, where lines that divide also connect and borders become meeting points, marking spaces of correspondence". [ Jordan Rockford, Curator ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870240654-OOG0UH1TGRO6QCN105G7/Equator_005.jpg Equator 2012 Untitled (Shlomi) Dead Sea, 2011 (60/90 cm) "David Adika’s photographic installation, EQUATOR, explores the imaginary lines which divide people and places: East and West, North and South, past and present. In a series of color and black & white archival inkjet prints representing four geographically diverse regions in Israel, Adika creates a map of experience, written across the face of the Israeli landscape and its people, where lines that divide also connect and borders become meeting points, marking spaces of correspondence". [ Jordan Rockford, Curator ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870307743-BJWR0UM2NZ2W98892HEM/Equator_006.jpg Equator 2012 Untitled (Man in the Dryland, Yehiel Shemi), Cabri 2012 (90/120 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870469457-7MC23GZU3W1CHK2I3KTO/Equator_011.jpg Equator 2012 Untitled (Uri) Dead Sea, 2009-2012 (50/75 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870461463-BHICU1P279IH9HO4BCIU/Equator_012.jpg Equator 2012 Untitled (TOYOTA) 2009 Dead Sea, 2012 (50/75 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375993596921-R8Z4LEHF04X5AQAGUJ26/DA_KW_2012-21.jpg Equator 2012 Equator, Installation View, The Open Lens Gallery, The Gershman Y,  (University of the Arts), Philadelphia 2012 [Curator: Jordan Rockford]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870289327-SO9RFOB6677N5MWLAU9Y/Equator_001.jpg Equator 2012 Untitled (Damaged Landscape A) Jerusalem, 2012 (120/140) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870281264-6CNCZUHQ2Z997OJ6YZDB/Equator_002.jpg Equator 2012 Untitled (Damaged Landscape B) Jerusalem, 2012 (120/140) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1419162022604-ICL6GU6LEQRFQGKQON2A/image-asset.jpeg Equator 2012 Equator, Installation View, The Open Lens Gallery, The Gershman Y, (University of the Arts), Philadelphia 2012 [Curator: Jordan Rockford] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870339115-J741TSDUBOBQOM9TE5LA/Equator_008.jpg Equator 2012 Untitled (Snir) TLV 2007, 2012 (30/40 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870420626-01XM3CX98A54N84OEAED/Equator_009.jpg Equator 2012 Untitled (Black Figure) Tel Aviv 2012 (90/120) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870250276-IOOV9WHBLWWRQE5P3X9A/Equator_003.jpg Equator 2012 Untitled (Arbel and the Sea of Galilee), 2012 (45/80 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870262593-H35DTZZG5WNAT6270D11/Equator_007.jpg Equator 2012 Untitled (Statue of Liberty) 2012, Arabe'e-Shakhnin 2008 (45/80 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375993596614-CD73EYCBG1AO0FA2ILK8/DA_KW_2012-22.jpg Equator 2012 Equator, Installation View, The Open Lens Gallery, The Gershman Y,  (University of the Arts), Philadelphia 2012 [Curator: Jordan Rockford]   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870298233-OCFEI50FCIESN4XWZWK0/Equator_004.jpg Equator 2012 Untitled (Via Dolorosa) Jerusalem, 2012 (70/100 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375993594708-2NW5OYAL29088SPF43OY/DA_KW_2012-18.jpg Equator 2012 Equator, Installation View, The Open Lens Gallery, The Gershman Y, (University of the Arts), Philadelphia 2012 [Curator: Jordan Rockford] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375951935149-M913APFI56F1IHUS0V0K/Equator_013.jpg Equator 2012 Untitled (Jaffa Looks at Tel Aviv) 2012 (90/120 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375870330174-GBY4WNCKLE8B2W5LX47V/Equator_010.jpg Equator 2012 Untitled (tel Aviv Sunset) 2012 (50/60 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375993594807-E19BOJGWQ9EVH7FAF8AG/DA_KW_2012-19.jpg Equator 2012 Equator, Installation View, The Open Lens Gallery, The Gershman Y, (University of the Arts), Philadelphia 2012 [Curator: Jordan Rockford]   http://www.davidadika.com/every-monkey-is-a-gazelle-in-its-mothers-eyes daily 0.75 2013-08-10 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881066645-7EHD50D4OW332LHD2IFP/4G8G9455.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881105570-FKC9GI6AFEG80U6ZS4LN/Adika_L1140364.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Bulent Ersoy), 2009 (mixed media, inject color print, gold silk print) (100/100 cm) "David Adika's photography exhibition "Every Monkey is a Gazelle in Its Mother's Eyes" constructs a syntax composed of gazes and signs that tie together the political and the aesthetic. the exhibition as a whole, offer the viewer is the recognition that "aesthetics" is not only a matter of "beauty." Rather, it is a function of the relations between place, identity, image, and gaze, which define and mark what the French philosopher Jacques Rancière calls "regimes" of vision and speech – regimes within which social roles are allocated in relation to a shared sphere of meaning. In this sense, the aesthetic is not the "negative" or the Other of the political, since they both participate in the construction of the social field by means of the boundaries they establish. These boundaries, which are simultaneously material and perceptual, circumscribe the limits of what is considered to be "common sense." The exhibition "Every Monkey is a Gazelle in Its Mother's Eyes" examines the manner in which the aesthetic acts to define and mark places, objects and identities. At the same time, it also restructures the relationship between gaze and sign, so that the realm of the visible opens up onto a more complex set of social and cultural claims". The title "Every Monkey is a Gazelle in Its Mother's Eyes," which is based on an Arab proverb, itself underscores the relationship between the gaze and the creation of meaning, and highlights the manner in which the gaze defines and marks by identifying and attributing a given value to what is seen. [ Part From : "An Aesthetics of Longing": On David Adika's Photography Exhibition "Every Monkey is a Gazelle in Its Mother's Eyes", Dr. Vered Maimon ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881066645-7EHD50D4OW332LHD2IFP/4G8G9455.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Allenby A), Tel Aviv 2009 (118/173 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881078181-R0KK3U2XQK8YLBUH3ME7/barbor2.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Allenby B), Tel Aviv 2009 (125/168 cm)     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881123930-V57ZHABJQRUE2IPY6HQG/4G8G9464.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Allenby C), Tel Aviv 2009 (118/85 cm)     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881142300-CARSOE26P56AZBWP5XGI/kk01.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 'Every Monkey is a Gazelle in Its Mother's Eyes' , Solo Exhibition, Installation View, Braverman Gallery, Tel Aviv, November-December 2009 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881189649-LDSW175WFNEOYCONR39I/4G8G0113.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Kitch B), Paris 2008 (110/155 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881197064-I27ZYLXVWFAXXKX2MFYU/4G8G0114.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Kitch A), Paris 2008 (110/155 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881211291-OEG3ZQCQ9QPNLFWEHHR2/65x43_0802.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Barcelona) 2008 (43/70 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881216280-JU766NCX8HCXZTAS8T2J/65x43_0352.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Restaurant Interior), Akko 2008 (43/65 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881223069-LJHU9LHV97SHTF1GWQU3/80x53_0358.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Bag of Pitta Bread), Akko 2008 (80/53 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881229664-FJKFC2VF2MY9S41YQIJP/80x53_0353.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Pink Portrait), Akko 2008 (80/53 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881234049-D4C24CZKNMPTCZZRC46V/kk04.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 'Every Monkey is a Gazelle in Its Mother's Eyes' , Solo Exhibition, Installation View, Braverman Gallery, Tel Aviv, November-December 2009 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881246900-CY2GMZQXJQ4KUWS4WBM5/4G8G0405.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Belleville), Paris 2008 (83/118 cm) In the contemporary geopolitical sphere, generosity is a rare commodity, as is sharing. Nationalism and racism, by contrast, are much more in demand. The power of the exhibition "Every Monkey is a Gazelle in Its Mother's Eyes" is based on its insistence that a fundamental discourse on the relationship between place and identity can be produced without separating the aesthetic from the political, for aesthetics is not merely a matter of beauty, and political engagement is not merely a matter of documenting wrongs. Both are faced today by the same violent monster of consensus based on surveys with predetermined agendas that define the "real" according to preexisting divisions between "them" and "us." The power and courage that imbue this exhibition stem from the possibility it offers to see differently: a form of seeing based on desire, yet devoid of an exproprietary drive. [ Part From : "An Aesthetics of Longing": On David Adika's Photography Exhibition "Every Monkey is a Gazelle in Its Mother's Eyes", Dr. Vered Maimon ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881261072-X4HK2PAIX4EHYSH47NPW/70x43_0591.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled ("Coiffure Esthtique"), Paris 2008 (47/74 cm) The word "aesthetic" is the only word that appears in any of the photographs, surfacing as part of a sign that reads "Coiffure & Esthétique" (hair and beauty salon) in Untitled (Paris). The shop sign in this photograph, which in many ways encodes the ideas and sensibilities that characterize the exhibition as a whole, features a made-up woman whose black hair is pulled back and adorned with a single white flower. This image functions simultaneously as both an object and a sign: it is designed to point passersby to the salon and to indicate the services it provides, while the woman is supposed to exemplify the specific "aesthetic" of beauty that the salon would like to convey to its potential clients. The nature of this aesthetic, however, remains unclear; similarly unclear is the question of whether the obsolete appearance of the sign is due to the use of a "hyper-realist" style of drawing designed to imitate the sharpness of a photograph, or whether it is actually based on a photograph that was retouched and transformed into a graphic image. The schematic nature of this image makes the woman appear as a representation of an ideal of beauty whose origins cannot be identified with certainty: on the one hand, this is a Western, classicist ideal embodied in the woman's light, smooth skin. At the same time, it could be described as an Oriental ideal, representing a modern Nefertiti with an elongated face and somewhat slanted eyes. This ambiguity is no coincidence, since the sign was photographed in Belleville, a Parisian immigrant neighborhood which, like similar neighborhoods in other metropolitan centers, is a locus of cultural and social hybridity. [ Part From : "An Aesthetics of Longing": On David Adika's Photography Exhibition "Every Monkey is a Gazelle in Its Mother's Eyes", Dr. Vered Maimon ] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881280446-R7UQQPTVUMST272XE7Y5/L1090849.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Nazareth), 2008 (60/90 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881332730-B6A7NEYT9QC4Z7DHCWG9/David_Adika_08_B.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 Untitled (Nazareth), 2008 (60/90 cm)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881348659-1LLJ6SS726N7BQTMFL3N/kk03.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 'Every Monkey is a Gazelle in Its Mother's Eyes' , Solo Exhibition, Installation View, Braverman Gallery, Tel Aviv, November-December 2009 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375881357976-T4A3TCIUGPDGQLNPDZL9/kk02.jpg Every Monkey is a Gazelle in Its Mother's Eyes 2009 'Every Monkey is a Gazelle in Its Mother's Eyes' , Solo Exhibition, Installation View, Braverman Gallery, Tel Aviv, November-December 2009 http://www.davidadika.com/mahogany-2003 daily 0.75 2013-08-08 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375883900273-4XFZSWVG0NIMFX3TQNTC/zvi_Left.jpg Mahogany 2003 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375883989437-V4SDYFKQ38Y9TEOYYBZZ/zvi_Right.jpg Mahogany 2003 Mahogany 2003 (Deer Left), 125/165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375883927820-4P5VX4ZKROH0PXRAJVS3/Pil_Left.jpg Mahogany 2003 Mahogany 2003 (Elephant Left), 125/165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375883934692-O8SWTV9R83PXORAVLTFD/Man_Left.jpg Mahogany 2003 Mahogany 2003 (man figure Left), 125/165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375884012902-T9NDG7PXCEX8GSNIPGAJ/Giraffe_Left.jpg Mahogany 2003 Mahogany 2003 (Giraffe Left), 125/165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375883911050-KBSO1CYRR3N745JEWDJB/karnaff_Left.jpg Mahogany 2003 Mahogany 2003 (Rhino Left), 125/165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375883944628-1G3I8Z0R8XHDM3YFE1UB/woman.jpg Mahogany 2003 Mahogany 2003 (woman figure center), 125/165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375883972545-I1D3NAK44RCQB9GNGK2K/karnaff_Right.jpg Mahogany 2003 Mahogany 2003 (Rhino Right), 125/165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375884030884-OPPEAF0M4I18WCJB5E6Y/Giraffe_Right.jpg Mahogany 2003 Mahogany 2003 (Giraffe Right), 125/165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375883957962-38PG1S52QNKJYFQH9I3O/Man_Right.jpg Mahogany 2003 Mahogany 2003 (Man Figure Right), 125/165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375883965983-95KK484UXI8OPZHHSQPJ/pill_Right.jpg Mahogany 2003 Mahogany 2003 (Elephant Right), 125/165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375883900273-4XFZSWVG0NIMFX3TQNTC/zvi_Left.jpg Mahogany 2003 Mahogany 2003 (Deer Right), 125/165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375884139214-IA28KXL70PJEJRANIPV1/A_00003.jpg Mahogany 2003 Mahogany 2003 (photo installation) Herzliya Museum For Contemporary Art, Israel (Curator: Dalia Levin) http://www.davidadika.com/mahogany-book daily 0.75 2013-08-09 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916338123-NEI5XAEVAO40GG3CKPMO/DSC_0028.jpg Mahogany Book Untitled (Jerusalem), 2003 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916338123-NEI5XAEVAO40GG3CKPMO/DSC_0028.jpg Mahogany Book Untitled (Jerusalem), 2003 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916356013-UDWS05WWJNW3ULQI2EJW/107-07%7E3.jpg Mahogany Book Untitled (Istanbul), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916367986-LF2F4OUBBEML1FN3PA73/276-7696_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916598101-T9MFND0R1ZJA0TML8LKB/DSC_00100.jpg Mahogany Book Mother & Father (Jerusalem), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916614253-QK0GG88X9RYFZFFRKJHN/DSC_0021.jpg Mahogany Book Untitled (Jerusalem), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916642665-DNVLZQD7X6M1HP79NCK5/IMG_0279.jpg Mahogany Book Untitled (Tel Aviv), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916649674-RE0CS97NYGZS98SNGY8Y/IMG_0280.jpg Mahogany Book Untitled (Tel Aviv), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916662974-2BHYEMXQE86L4RZLO7DA/adika_0012.jpg Mahogany Book Untitled (Tel Aviv), 2002     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916709582-FRLFCEH252EJGCP29WIV/216-7156_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916802748-RCZBBUZ1IOQQ81XETOHG/676-7656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916815866-IDJR2PXO7WNHYVCS3UO2/207-0707_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916828996-M5ZDGQL72I0M4IN79X7V/207-0709_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916842477-KV1Z9OQTWUDZIS7HECBO/202-0218_IMG.jpg Mahogany Book Untitled (Yom Kippur, Jerusalem), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916862399-YBM0ND6O7ZWTBIDM6YB0/DSC_00111.jpg Mahogany Book Untitled (Jerusalem), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916871875-MYKD6IGEVRSJRX0VDXBZ/annanas.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916902897-YW2LCDU0XIPMGOBSXBSX/231-3191_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916929508-G8LH9RRGZESPB4CCH06Y/192-9277_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375916962190-RPWLHSJTXDF0O3JCD4M1/DSC_0005.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917009478-JSGLNKBCSN2Y1X4IYZEK/271-7153_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917020565-D3SFC69SULMB7WONZKPB/276-8776_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917042559-23SDL5HMBDS8SX5YVJWW/206-06499_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917055877-CBAV2TFZY6TVPZPV1GQE/276-76000_IMG.jpg Mahogany Book Untitled, Mika (Tel Aviv), 2002 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917180954-L487UT3DZRI0HSQY3IM6/276-5656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917097333-QH0BGTFZMA6MI3L3O4I9/207-0726_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917146096-0KTD5I6AO4J8JC9IN7ZV/268-6891_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917173029-ESNAX1HJ2JTSE1P3HCTQ/212-7655_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917222586-T3ZB7LBD1X6N016YGSS8/276-7344_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917239793-W0MSRZ9IF5AKAZPA9LCM/276-9999_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917232759-II70HDC657C064RLN9IF/276-7444_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917275963-FFMWUJGDL0RUI8DDW3FN/234-7656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917349542-U5KDG9A86E80EIIQOW22/276-7776_IMG.jpg Mahogany Book Untitled (NY), 2001  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917361275-3DTD90YR9NM3EJ0MW73Z/376-7656_IMG.jpg Mahogany Book Untitled (Istanbul), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917368912-78LWJ5Y4KFENZYTT4EO6/276-7123_IMG.jpg Mahogany Book Pretty Hadas (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917395415-VVTCQBX0TBKDWM7W4RVI/DSC_0061.jpg Mahogany Book Untitled (Jerusalem), 2003 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917405814-3E1PC9FSBHOM7OCBZXIX/DSC_0056.jpg Mahogany Book Untitled (Jerusalem), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917417951-PY89IG3YTE1E3443YSWU/DSC_0014.jpg Mahogany Book Untitled (Jerusalem), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917434187-LJSYK760RB5RVV5RA8FO/202-0230_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917455752-PH9NFAZ6DQA8Z72BY71V/DSC_0009.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917495999-0NXOT45IMBDHMUID11QA/DSC_0016.jpg Mahogany Book Untitled (Jerusalem), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917497744-MHPB4MQ148JILME0WOMS/DSC_0017.jpg Mahogany Book Untitled (Jerusalem), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917554818-7F1Z0G7I6QMSZIOQWAGY/206-7606_IMG.jpg Mahogany Book Sarah Khinski, Tel Aviv 2002  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917575145-FBQKX9VCOL1NGVKH5H99/adika_0010.jpg Mahogany Book Untitled (tel Aviv) 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917605127-1ELPR5PRT7MWA86VBB5P/246-4696_IMG.jpg Mahogany Book Untitled (Yigal), Tel Aviv 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917594978-QIECFP6SM0EV5PHLCVQV/276-7056_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002  https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917645416-2V7S8XWHO30T4AJJ31RS/207-0767_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917659339-SS31R64D3902S2T32E37/210-1081_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917701479-SGFTCLS1J4D4JTBRGAVZ/276-7606_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918279055-UGKJ7CEYBGAAHDNKBE0Y/274-7556_IMG.jpg Mahogany Book https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917725661-JC6EQFQ4TUWDBOY9C1C8/276-76544_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375917737430-P3TSZP3RJC4X0SYQRSFR/206-0643_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918257506-KA19RFB1HVMNUGZ8QAAG/212-7056_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918289267-CPRYPUT83IJR84M0BP3S/276-7017_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918305080-T4SPT7ISOJQYYEN9T8OL/276-7655_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918326336-Q6V479E813UJKHEV5QXA/645-7656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918327984-E992HPYFJRAUMX4FYQRH/ADIKA_2431.jpg Mahogany Book Untitled (Tel Aviv), 2002     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918336357-7QSKD143O422F0N9KHUE/GMC3.jpg Mahogany Book Untitled (Yaffo), 2001 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918368212-M8Q9YVOK1P480V4RRRXC/208-7656_IMG.jpg Mahogany Book Untitled (Beer Sheva), 2002     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918363986-KGO5SEDAYMH365IT1O5W/279-7656_IMG.jpg Mahogany Book Untitled (Beer Sheva), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918367544-LUPWR6XQ0AQ4DI9VBK47/299-7656_IMG.jpg Mahogany Book Untitled (Beer Sheva), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918387242-IO50YN0HZUM14OYCRTXG/276-7699_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918413429-UDUFXTJJHSH4GO5KT3R6/_276-7644_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918437975-2JT69KNEPVY0T7LLCEZI/_288-7886_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918437136-IXDIO8DYPJ5FORFIAFKY/022-7656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918451677-XGEYDWZPGT1IT3NHDTQ7/276-2356_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918469627-XVS63RJN8CWYCLREOM7H/202-0212_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918482180-056HW4FF4QPT1ABXIPWB/206-7656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918494863-FTSDZC7990WZZ2RFFBHZ/DSC_0003.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918514556-5GN4JYFTPZBUXBZFEKB2/777-7656_IMG.jpg Mahogany Book Untitled (Yaffo), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918513211-NA6A04JGKNONVKR1Z8S6/DSC_0012.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918551781-EUY26L7M3J1MHNQM87WM/268-6868_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918562016-CSC1MD1JD4F8UQLI9813/212-1246_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918609179-RQG5KWZTR878GI07WCM5/277-77877_IMG.jpg Mahogany Book https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918607095-ZBZYD9CUUGCFL5XJYWZN/276-7765_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918577362-QOEM0O5MD2JQTPYGBUZA/231-3164_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375918572977-DVHXXW5QFCWS83PGESET/251-5131_IMG.jpg Mahogany Book Untitled (Jerusalem), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944445780-1X56QCG59S9YESDXNU9K/DSC_0050.jpg Mahogany Book Untitled (Jerusalem), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944462145-IOJ5TXM786ERFT4R8EL7/267-67611_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944479566-1M8MHI6KC4YHKHJZRJMR/202-0239_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944509322-FGXKT9SKIMJA2UHG9AHZ/212-1235_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944532473-WXQFU7PTMY0Z6C6NXJ4U/dog.jpg Mahogany Book Untitled (Thomas, Tel Aviv), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944542082-NVXZFB9CFBG9VCUZK3IC/202-0238_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944594053-RF6KRUJ70N3BGH5EMJ7B/276-06566_IMG.jpg Mahogany Book https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944568282-SPV6NWTELGA1G5J4GBAU/Plant4.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944597697-V3Y06K5TH8JIK2Z3LBJT/276-7333_IMG.jpg Mahogany Book Untitled (Gil Marco, Tel Aviv), 2002 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944629821-OTT69WBRQBDT921XQ4K9/277-7656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944649361-LQ9TVYI27QJV74SOI66Q/269-6909_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944657478-6FHO8MM1MPOHGGEMQPV6/276-4656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944680380-2I1RAIWR1KEU63IJPLA5/888-7656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944722649-S9WUI3SEEY4JOMBSFNMD/276-7357_IMG.jpg Mahogany Book Untitled (Jerusalem), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944729330-JKPF47WQMAPFBOJ1DOLC/276-4456_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944757499-WDS0DKHONWV8SKZD3UO5/DSC_0001.jpg Mahogany Book Untitled (Jerusalem), 2003   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944773725-3DLHQBG8NZNTXUQWR1VX/DSC_0005.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944797205-X9678MPNLLJMIK5ZNMQ6/777-7658_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944810864-1VX5K8QIEY5RBDJ83VWH/276-6656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944825156-5ER5M9CSXBK07SG89CAO/260-6034_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944842203-O8OT6MMBDYH0PCMMBYSJ/276-7622_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944859453-LYJQDCTRD17PY5DFALOR/200-7656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944873192-OVQPJSA4B1MZ6B4BHF4S/237-3712_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944878510-HIC07UH8Q2DDAD9BOWXA/244-4481_IMG.jpg Mahogany Book Untitled , 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944883628-LFH0FCCG16AM1KX6NBEY/227-2755_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944899855-DLPA24I5DDZBN8IE9CIZ/255-5567_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944906882-DUGHSG3T3VXTF25EUZT9/276-7446_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944945235-IZWFZDJUWO9KJRO3GDTJ/202-0212_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375944993019-DT759LB9G2M4GSPW91DU/276-2356_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945031178-S3ZQ1ULCYEKGD6AN2DA6/209-0945_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945062066-6JZMMBF3X49QETGF9EN8/288-7656_IMG.jpg Mahogany Book Untitled (EL AL), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945052886-ESU609JJJRF4HMPYJVPM/192-9265_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945089516-M5CRSR59Z3QA66MHX2H1/192-9269_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2001     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945101949-ZR406NYLMKAWT2NX8ZQZ/276-8080_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945113073-45W1WCJ21Y0N4JZFOJ1Q/296-9656_IMG.jpg Mahogany Book Untitled (HELMUT LANG NY), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945118700-AOUO96N82MGPEPYOQGRA/276-7656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945146296-0I5DWH1O65KI0GBB09O7/276-3456_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945177633-ENYGT5VIW9DNMWW61070/276-8658_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945189975-3ZI4QNVJWQPJZ1G4AN96/200-0066_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2002   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945217379-W0I21MVTW6QK7ZSO03ZL/278-78566_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945231174-ADADUDG4WRR80OHCMMHU/255-7656_IMG.jpg Mahogany Book Untitled (Tel Aviv), 2001   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375945255178-UQ0W62BOBTB9P0PYY6VG/276-7956_IMG.jpg Mahogany Book Untitled (Jerusalem), 2002   http://www.davidadika.com/flying-houses daily 0.75 2013-08-12 http://www.davidadika.com/edut-testimony daily 0.75 2013-08-10 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007148203-9PLH2VO5WOOTEE0YW9YB/DA_KW_2012-14.jpg Edut (Testimony) 2011 Shlomi Elkabetz (Director, 'Edut') Dead Sea 2010 An extraordinary investigation of the collective memory of the Israeli-Palestinian conflict, stories of violent injustice recounted by witnesses and participants on both sides. Palestinian testimonies collected after the second Intifada revealed a harsh daily life reality that, for Israelis, had always belonged to the “others” - the Palestinians, and hence, were denied. A few years later, trespassing what would be taboo until then, Israeli officers who served during the Intifada told their memories. Memories of violence, of suffering, of humiliation. The stories from both sides match. On the backdrop of local empty landscapes, an Israeli officer remembers... a Palestinian civilian remembers as well. A journey into the collective memory of Palestine and Israel takes place. https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007148203-9PLH2VO5WOOTEE0YW9YB/DA_KW_2012-14.jpg Edut (Testimony) 2011 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007156169-WZ7XGGG2CP6RLFSYQDF9/DA_KW_2012-9.jpg Edut (Testimony) 2011 Untitled, Landscape, South Of Israel 2010 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007226805-GKBYQ8TF1BGGVRH4PDVQ/DA_KW_2012-10.jpg Edut (Testimony) 2011 Untitled, Shlomi in Landscape, South Of Israel 2010 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007247544-8INJ2H2B6JZK4YRK43GD/DA_KW_2012-11.jpg Edut (Testimony) 2011 Untitled, Landscape, South Of Israel 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007256339-N7KHFJL1YBUKGXM8IYXU/DA_KW_2012-12.jpg Edut (Testimony) 2011 Untitled, Shlomi in Landscape, South Of Israel 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007264072-KN24NZHUR1AVY2V1KAP4/DA_KW_2012-13.jpg Edut (Testimony) 2011 Untitled, Shlomi in Landscape, South Of Israel 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007272050-B1WFZIES0Z9PBCX4YEHY/DA_KW_2012-15.jpg Edut (Testimony) 2011 Untitled, (Dead Sea), 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007271416-YP5U2WP9DZUMPUGGMRJP/DA_KW_2012-16.jpg Edut (Testimony) 2011 Untitled, (Dead Sea), 2010     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007281118-JJUPK9WUY5GKM8BS9H2I/DA_KW_2012-37.jpg Edut (Testimony) 2011 Ronit Elkabetz (Actor, 'Edut') North Of Israel 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007332275-WJ2JK9Q6V03I4QG2MRVH/DA_KW_2012-38.jpg Edut (Testimony) 2011 Ofer Hayun (Actor, 'Edut') Near Jerusalem 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007332342-JPQBMHUYAKAC1UFFRI5Z/DA_KW_2012-39.jpg Edut (Testimony) 2011 Dikla (Singer 'Edut') Near Tel Aviv 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007333778-CK2E8WBCIOB3POR3ZDT6/DA_KW_2012-40.jpg Edut (Testimony) 2011 Rinat Matatov (Actor, 'Edut') South Of Israel 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007346109-CMR14AHYV1VEJX6ASTGP/DA_KW_2012-41.jpg Edut (Testimony) 2011 Ran Bechor (Actor, 'Edut') South Of Israel 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007347720-EY0TQPOKET3IQCSK0V45/DA_KW_2012-43.jpg Edut (Testimony) 2011 Moris (Actor, 'Edut') Dead Sea, 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007348718-U3W00TEJ6GFAOC54N5TS/DA_KW_2012-44.jpg Edut (Testimony) 2011 Zohar Liba (Actor, 'Edut') North Of Israel 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007412242-Z11UUB18PHHILCEBHOTK/DA_KW_2012-45.jpg Edut (Testimony) 2011 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007413847-W8K44NMOBYSD0I1LZ8UU/DA_KW_2012-46.jpg Edut (Testimony) 2011 (Actor, 'Edut') North Of Israel 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007413946-0OVMPN30GR0HA1780YH8/DA_KW_2012-47.jpg Edut (Testimony) 2011 Sharon (Actor, 'Edut') North Of Israel 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007415433-M0Z4BT9Y1C6V5H1XPIOS/DA_KW_2012-48.jpg Edut (Testimony) 2011 Untitled, Landscape, North Of Israel 2010   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376007480980-HY6U7S45QR4BM2504WQH/DA_KW_2012-36.jpg Edut (Testimony) 2011 Edut (Testimony), Poster 2010  http://www.davidadika.com/the-black-panthers-40-years-later daily 0.75 2013-08-12 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376005099624-6V01J471DNI8C7BRYX2P/DA_KW_2012-50.jpg 'Black Panthers', 40 years later Avraham Bardugo, Born 1944, Haifa, Israel. (Klil 2011) 90/120 cm The Black Panthers, 40 Years later The Black Panthers were one of the earliest social protest movements in Israel, formed in 1971 by youths in the beleaguered and impoverished neighborhood of Musrara, on the border between East and West Jerusalem. The Panthers rose up to demand social justice for themselves, their families, friends and neighbors – Mizrahi Jews who immigrated to Israel from Middle Eastern and North African countries, who were met with discrimination by the Ashekanzi establishment and who struggled with harsh social and economic realities. The group staged multiple demonstrations – which often took place without police permits and at times ended in violence – to spotlight these ethnic tensions and social gaps, and the Black Panthers ultimately won the attention of then Prime Minister Golda Meir, who famously described them as “not nice people” after meeting several of their leaders. Despite this, the Panthers succeeded in getting the government to establish a committee to investigate social issues, which reported on the “severe economic distress among ‘immigrants from Asia and Africa’” and the lack of policy to confront it. Their social protest was sidelined, however, with the start of the Yom Kippur War in 1973, when government resources were diverted toward Israel’s security needs. https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376005099624-6V01J471DNI8C7BRYX2P/DA_KW_2012-50.jpg 'Black Panthers', 40 years later Avraham Bardugo, Born 1944, Haifa, Israel. (Klil 2011) 90/120 cm The Black Panthers, 40 Years later The Black Panthers were one of the earliest social protest movements in Israel, formed in 1971 by youths in the beleaguered and impoverished neighborhood of Musrara, on the border between East and West Jerusalem. The Panthers rose up to demand social justice for themselves, their families, friends and neighbors – Mizrahi Jews who immigrated to Israel from Middle Eastern and North African countries, who were met with discrimination by the Ashekanzi establishment and who struggled with harsh social and economic realities. The group staged multiple demonstrations – which often took place without police permits and at times ended in violence – to spotlight these ethnic tensions and social gaps, and the Black Panthers ultimately won the attention of then Prime Minister Golda Meir, who famously described them as “not nice people” after meeting several of their leaders. Despite this, the Panthers succeeded in getting the government to establish a committee to investigate social issues, which reported on the “severe economic distress among ‘immigrants from Asia and Africa’” and the lack of policy to confront it. Their social protest was sidelined, however, with the start of the Yom Kippur War in 1973, when government resources were diverted toward Israel’s security needs. https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376005108549-GBE1BSYQN53JB8P549OI/DA_KW_2012-51.jpg 'Black Panthers', 40 years later Reuven (Robert) Abergel Born 1943, Rabat, Morocco. (Ashdod 2011) 90/120 cm    https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376005112756-5YKPHD0U7SO8T3UXGD1T/DA_KW_2012-52.jpg 'Black Panthers', 40 years later Kochavi Shemesh, Born 1944, Baghdad, Iraq. (Jerusalem2011) 90/120 cm    https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376005111643-MLI8DAEISHSB0U6WLHOP/DA_KW_2012-53.jpg 'Black Panthers', 40 years later Charlie Biton, Born 1944, Casablanca, Morocco. (Jerusalem) 90/120 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376006131393-YC2SAIB1B81QSMKRDX83/DA_KW_2012-54.jpg 'Black Panthers', 40 years later The Black Panthers, Installation View, Petackh Tikva Museum of Contemporary Art,   http://www.davidadika.com/mixmatch-paris-2008-2009 daily 0.75 2013-08-10 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376132682184-M9V4B4VFPX3STC01AJ7F/DA_001.jpg Mix&Match (Paris 2008-2009) Untitled (summer) / Untitled (winter) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376132682184-M9V4B4VFPX3STC01AJ7F/DA_001.jpg Mix&Match (Paris 2008-2009) Untitled (summer) / Untitled (winter) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376132692588-SU9MXXYGKOGT0VMP5Z3N/DA_002.jpg Mix&Match (Paris 2008-2009) Untitled (Uri) / Untitled (15em) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376132704841-I4OTT3VERY9DCRYCNRWW/DA_003.jpg Mix&Match (Paris 2008-2009) Untitled (Atelier 8108) / Untitled (F Cartier) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376132716010-047DZWOQK831XUKPLM2N/DA_004.jpg Mix&Match (Paris 2008-2009) Untitled (Nature Morte) / Untitled (Noa G) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376132729175-3XBAK8TUX932ZIISPE7Y/DA_005.jpg Mix&Match (Paris 2008-2009) Untitled (Black Paris) / Untitled (Black Paris) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376132740823-T9QU8OEMXF15TRUJUG0S/DA_006.jpg Mix&Match (Paris 2008-2009) Untitled (Louvre) / Untitled (Louvre) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376132751984-LO5IQA4K8QCDTSC915MN/DA_007.jpg Mix&Match (Paris 2008-2009) Untitled (15em) / Untitled (jeff koons, versailles) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376132764783-B7SJR5TYZ8FG0N4VLJHR/DA_008.jpg Mix&Match (Paris 2008-2009) Untitled (Atelier 8108) / Untitled (Atelier 8108) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376132776461-G3KANFRHTBTOP7Y8340C/DA_009.jpg Mix&Match (Paris 2008-2009) Untitled (Atelier 8108) / Untitled (Atelier 8108) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376132788190-Q46MT2O7WF55VM3GRC6T/DA_010.jpg Mix&Match (Paris 2008-2009) Untitled (Atelier 8108) / Untitled (Tyra Banks) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376132971933-AE5XF9VYCAB0Z1DMS9UL/DA_011.jpg Mix&Match (Paris 2008-2009) Untitled (Tai S, Atelier 8108) / Untitled (Novotel) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376147403044-WDPZ0RYIUNH1V5V59MCG/DA_023.jpg Mix&Match (Paris 2008-2009) Untitled (Atelier 8108) / Untitled (Atelier 8108) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376133588747-GDGVJ1GN0QR7PG2U1P90/DA_012.jpg Mix&Match (Paris 2008-2009) Untitled ("Call me Africa") / Untitled (Atelier 8108) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376135044382-I9B15Z0K71LGVJBMRGCM/DA_014.jpg Mix&Match (Paris 2008-2009) Untitled (Following William Eggelston) / Untitled (Louvre) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376138300536-UEFWM30LXPMXGGMN9DQ4/DA_015.jpg Mix&Match (Paris 2008-2009) Untitled (Atelier 8108) / Untitled (Atelier 8108) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376138628809-XS87WYDG06XLFZYPTJ5C/DA_016.jpg Mix&Match (Paris 2008-2009) Untitled (15em) / Untitled ("The Architect" 15em) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376138885477-DVYO7SKEU7UH1F1J5KP9/DA_017.jpg Mix&Match (Paris 2008-2009) Untitled (LIBERTE) / Untitled (Antoine) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376139303406-LQSRTTPY8PGK4J42TS3R/DA_018.jpg Mix&Match (Paris 2008-2009) Untitled (Self Portrait, Atelier 8108) / Untitled (Thinking of William Klein) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376134527048-71EPGMIM6L5DB9CFLDP6/DA_013.jpg Mix&Match (Paris 2008-2009) Untitled (POCKET) / Untitled (MJ) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376141738084-DDRVI8NHFRTWRNQUD7XW/DA_019.jpg Mix&Match (Paris 2008-2009) Untitled (Atelier 8108 "Windowing-Wintering")/ Untitled (Atelier 8108 "Windowing-Wintering") https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376141984152-6N9NOXE6ROIBMWLSUXNE/DA_020.jpg Mix&Match (Paris 2008-2009) Untitled (Seine, Etincelle) / Untitled (Uri C) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376142950697-N6N7Y7FM0QQZ9TYJN48T/DA_021.jpg Mix&Match (Paris 2008-2009) Je (ne) suis (pas) honte de regarder la lune quelques jours sombres https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376149232387-O0F90GXS7P9K8P9QW8ON/DA_022.jpg Mix&Match (Paris 2008-2009) Untitled (Khen S, Metro Republic) / Untitled (Tour Eiffel, December) http://www.davidadika.com/as-in-water-face-reflects-face-2013 daily 0.75 2013-12-25 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999437690-FJZO4ZKFR5UAIXIRQ0GE/4G8G0030_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999437690-FJZO4ZKFR5UAIXIRQ0GE/4G8G0030_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999639106-F3Y8CBJ1FPK0CK2TGUXC/4G8G0040_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999624495-0ZZE1ZHD9XN2RMIY8OSR/4G8G0038_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999612479-IRFBGDU0WKH9RVWYSMWQ/4G8G0035_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999696162-PS1N1Y1W7NGWBRW5FHT5/4G8G0043_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999743071-ZK3XME1KT763HGO3F3BJ/4G8G0042_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999757784-J2LX3MHE1ZG5PSXBHZ7J/4G8G0044_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999771632-Z3QDZM6TLO7FAFFEW06N/4G8G0047_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999837662-BDWZ6KNHY9XNJMRQPPD1/4G8G0077_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999947651-VX2NCQRIPK3TQMFCMLFH/4G8G0074_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999998787-6R3I535MQR01S3UGYZND/4G8G0080_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1388000050906-SITASQUM4HP7WBNLTPZG/4G8G0072_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1388000098163-LGH0WT2H1PX7H33WR4FI/4G8G0078_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1388000168034-PBVJRA3A1TI8Y4QNSUIU/4G8G0064_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1388000222921-O1MM0FBTL0VP413IM010/4G8G0073_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1388004995436-6FOY1HQHQY3EJORFSHRD/4G8G0071_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1388005060475-Y9SKT69RQQ6HTGJU4EG5/4G8G0063_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1388005236577-XW5ZU0YTEE71HHXVJ5DS/4G8G0057_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1388005283283-NJBFCZE12GBQY8ZC77FG/4G8G0060_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1388005354951-347HX4WMLSHAJE0UHXMM/4G8G0056_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1388005436907-HSOBABYE7ANE3DHS3IE5/4G8G0085_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1388005497689-5B6QM8I1CCY7TQHGI7J2/4G8G0096_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1387999450620-R2HO7FBZL0Y40RIJ2R6W/4G8G0031_S2.jpg As in Water Face Reflects Face 2013 As In Water Face Reflects Face Installation View, Braverman Gallery, Tel Aviv 2013-2014   http://www.davidadika.com/last-light-2015 daily 0.75 2016-02-23 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1435917193841-4N7CIX1B63E0ECMYXN72/Last_Light_Arbel.jpg Last Light 2015 Last Light Curator: Naama Haikin The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   Director and Chief Curator of the Open Museums: Ruthi Ofek Exhibition Curator: Naama Haikin Production Manager: Arieh Sagi Coordinator: Ruthi Mozes Printing and Framing: The Print House, Tel Aviv Public Relations: Yael Shavit, Tikshorot Catalogue Editor: Naama Haikin Design and Production: Kobi Franco Design Graphic Execution: Mor Halimi Hebrew Text Editing: Einat Adi English Translation: Talya Halkin, Einat Adi (Sarit Shapira's article) Arabic Translation: Nabil Armali All works are courtesy of the artist and Braverman Gallery, Tel Aviv 2015, The Open Museum of Photography, Tel Hai Industrial Park   omuseums.org.il   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1435917193841-4N7CIX1B63E0ECMYXN72/Last_Light_Arbel.jpg Last Light 2015 Last Light Curator: Naama Haikin The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   Director and Chief Curator of the Open Museums: Ruthi Ofek Exhibition Curator: Naama Haikin Production Manager: Arieh Sagi Coordinator: Ruthi Mozes Printing and Framing: The Print House, Tel Aviv Public Relations: Yael Shavit, Tikshorot Catalogue Editor: Naama Haikin Design and Production: Kobi Franco Design Graphic Execution: Mor Halimi Hebrew Text Editing: Einat Adi English Translation: Talya Halkin, Einat Adi (Sarit Shapira's article) Arabic Translation: Nabil Armali All works are courtesy of the artist and Braverman Gallery, Tel Aviv 2015, The Open Museum of Photography, Tel Hai Industrial Park   omuseums.org.il   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456174934228-4YYO9NHJQD271BJNM0R7/000001.jpg Last Light 2015 Untitled (Arbel Synagogue), Mount Arbel, 2015, from the series "Last Light", B&W photograph, Inkjet print, 58x87 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456175222240-FJ9R51V4N34UJ1T8PISW/000005.jpg Last Light 2015 Untitled (Black Nature), Tel Aviv, 2015, from the series “Last Light” black-and-white photograph, inkjet print 42x63 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456175248402-B1A8MOS6BJ7SAJ26UF29/000010.jpg Last Light 2015 Untitled (Tablecloth 3), Jerusalem, 2015, from the series “Last Light” black-and-white photograph, inkjet print, 87x130 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456175275819-E8ZEKEC14NKB8RJVAF1L/000011.jpg Last Light 2015 Untitled (Tablecloth 4), Jerusalem, 2015, from the series “Last Light” black-and-white photograph, inkjet print, 87x130 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456175523898-W21MIUBRRKCRQY0O0QWL/000002.jpg Last Light 2015 Untitled A (Diptych), Tel Aviv, 2014, from the series “Last Light” black-and-white photograph, inkjet print, 48x72 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456175531312-SOVHK6R5BKQKUNAPCABJ/000003.jpg Last Light 2015 Untitled B (Diptych), Tel Aviv, 2014, from the series “Last Light” black-and-white photograph, inkjet print, 48x72 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456176759200-7RPW8I4BYXNFPF5FIWPT/000003a.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin     Director and Chief Curator of the Open Museums: Ruthi Ofek Exhibition Curator: Naama Haikin Production Manager: Arieh Sagi Coordinator: Ruthi Mozes Printing and Framing: The Print House, Tel Aviv Public Relations: Yael Shavit, Tikshorot Catalogue Editor: Naama Haikin Design and Production: Kobi Franco Design Graphic Execution: Mor Halimi Hebrew Text Editing: Einat Adi English Translation: Talya Halkin, Einat Adi (Sarit Shapira's article) Arabic Translation: Nabil Armali All works are courtesy of the artist and Braverman Gallery, Tel Aviv 2015, The Open Museum of Photography, Tel Hai Industrial Park   omuseums.org.il   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456176422366-236PL3EQ2ULJ55MTFF39/000004.jpg Last Light 2015 Untitled (Wall, KGB), Riga, 2014, from the series “Last Light” black-and-white photograph, inkjet print, 87x130 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456176508867-H28KHQPZQ6VJMIK7FF5I/000009.jpg Last Light 2015 Untitled (Tablecloth 1), Jerusalem, 2015, from the series “Last Light” black-and-white photograph, inkjet print, 87x130 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456176566898-WXZJ8HBH5CKCNHMIGXYH/000006.jpg Last Light 2015 Untitled (Tablecloth 2), Jerusalem, 2015, from the series “Last Light” black-and-white photograph, inkjet print, 58x87 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456177341185-X58MHR8PDQHYCV24JN38/000012.jpg Last Light 2015 Untitled (Tablecloth 6), Jerusalem, 2015, from the series “Last Light” black-and-white photograph, inkjet print, 87x130 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456177387835-YN6SBJAKPKNBWGQ8JE6L/000005a.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456177420860-TCHJ2DMHA9LYCFWKK8PX/000015.jpg Last Light 2015 Untitled (Pineapple), Tel Aviv, 2015, from the series “Last Light” black-and-white photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456177468274-XD07IX2JZ7UKE7TXZ6CI/000014.jpg Last Light 2015 Untitled (Set), Tel Aviv, 2015, from the series “Last Light” black-and-white photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456177581156-CBMFS45VWFADU9D922PZ/000013.jpg Last Light 2015 Untitled (Orchid), Tel Aviv, 2015, from the series “Last Light” black-and-white photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456177619461-B0RE9SLVMQ6QD93V4CQ4/000017.jpg Last Light 2015 Untitled (Arbel Synagogue #2), Mount Arbel, 2015, from the series "Last Light", B&W photograph, Inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456177678524-QFYPW22RQ3KEZ5R1JNU8/000018.jpg Last Light 2015 Untitled (Flower Pot), Tel Aviv, 2015, from the series “Last Light” black-and-white photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456177939151-VLB9O6RFZMAPCA0OZPUB/000007.jpg Last Light 2015 Untitled (Leaf), Tel Aviv, 2015, from the series “Last Light” black-and-white photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456177996166-150L4B7CN8H6WWU44B8G/L1001219.jpg Last Light 2015 Untitled (Pineapple Head), Tel Aviv, 2015, from the series “Last Light” black-and-white photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456178040875-RZV3IT2MK4PA7MNA2Z9D/000016.jpg Last Light 2015 Untitled (Arbel Synagogue #3), Mount Arbel, 2015, from the series "Last Light", B&W photograph, Inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179043479-F4CI2UUWTJYGMK8UJSH9/lastlight_001.jpg Last Light 2015 Last Light Catalogue Editor: Naama Haikin Design and Production: Kobi Franco Design Graphic Execution: Mor Halimi Texts By : Naama Haikin and Sarit Shapira Hebrew Text Editing: Einat Adi English Translation: Talya Halkin, Einat Adi (Sarit Shapira's article) Arabic Translation: Nabil Armali All works are courtesy of the artist and Braverman Gallery, Tel Aviv 2015, The Open Museum of Photography, Tel Hai Industrial Park     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179194381-RHK17KS8LD15QGECI8UR/lastlight_002.jpg Last Light 2015 Last Light Catalogue Editor: Naama Haikin Design and Production: Kobi Franco Design Graphic Execution: Mor Halimi Texts By : Naama Haikin and Sarit Shapira Hebrew Text Editing: Einat Adi English Translation: Talya Halkin, Einat Adi (Sarit Shapira's article) Arabic Translation: Nabil Armali All works are courtesy of the artist and Braverman Gallery, Tel Aviv 2015, The Open Museum of Photography, Tel Hai Industrial Park   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179372920-W9TVD71T762SSIQQ31VO/lastlight_003.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179415376-19MHSHS9E11M8Z6MUTAA/lastlight_004.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179464211-J1OKSPIQZRR4QSSFYT88/lastlight_005.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179487590-BOMNB7NX7IEB1UVO4B2C/lastlight_006.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179499553-OJLM65FCNR59KFVV6028/lastlight_007.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179511096-7Q3IUNUDJB1162XXKMZQ/lastlight_008.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179520029-9865AT1XI34RZCM9S8V1/lastlight_009.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179549756-ITMP9DGBO5AL29JS2BII/lastlight_010.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179552748-G2W21DQ9UWWXEA2ZDOV1/lastlight_011.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179561373-SCCL2294U2JIFWJABNBJ/lastlight_012.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179570947-6U8ZC5F8CRC4QPT07A2E/lastlight_013.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179574661-JZOVRVON5FXBMF5XPVOH/lastlight_014.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179582947-AS5YEK6AVRS4ZWRQKPM3/lastlight_015.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179593821-VIHVO02CFZKQ94KBCZ22/lastlight_016.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179652789-QK19M8FVP399ZJCI1RY5/000019.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179658806-PLXWGI2D8R1QH6MWXT1O/000020.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179668435-PK0O2KA08OXX5ZNE3FHE/000021.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179687203-G94PF12LUCWU4BBO1LBW/000023.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179699162-AGAK3VI4TXFM93ECFAD2/000024.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179728900-92LOVFM07OC35TANIZT0/000027.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179708518-GP8H3RUHOISFTKWADRQZ/000025.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179718628-7BBN2NBGS9Q8ZYGXJKJ3/000026.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179742769-KDIYXPOAD7XBCXACX0PQ/000028.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179747910-GKH425I76N4MECG4TZN1/000029.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179755743-8F9M1SSS3X3MDBO98TTZ/000030.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456179764345-FL1H4C4E0T3GPYWYQ64I/000031.jpg Last Light 2015 Last Light, Installation View, The Open Museum of Photography, Tel Hai Industrial Park, June 2015 - April 2016 Curated By Naama Haikin   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456227585876-FCYCU8N5CQ3Z6RIB72EF/BBW_HiRez_00015.jpg Last Light 2015 Untitled (D from U), Paris, 2008, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456227622725-5RCZR6YJ5HPDZL1E5P8H/BBW_HiRez_00011.jpg Last Light 2015 Untitled (Beyonce), New York, 2006, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456227614420-ZL1BTB5QZ5MLE9IXG0TI/BBW_HiRez_00021.jpg Last Light 2015 Untitled (Uri), Paris, 2008, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456227606919-7ECYR5CRMLCUXSLPX20F/BBW_HiRez_00008.jpg Last Light 2015 "Formica" (diptych, from: Mother Tongue series , Tel Aviv, 2002, color photograph, Lambda print 110x80 cm (each) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456227679600-EKT7245IAN0QBB9IDATF/BBW_HiRez_00019.jpg Last Light 2015 Untitled (Deer), Acre, 2013, color photograph, inkjet print   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456227688045-SQRX8MR1EO7GJOPQPYDZ/BBW_HiRez_00020.jpg Last Light 2015 Untitled, Tel Aviv, 2014, color photograph, inkjet print   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456227626035-W3JRE8HGGSA1F2N30STD/BBW_HiRez_00018.jpg Last Light 2015 Untitled (Cowry Shell), Tel Aviv, 2013, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456227737099-PZX2OP2S1T5ESTK3U7WU/BBW_HiRez_00013.jpg Last Light 2015 Untitled, Barcelona, 2007, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456227846805-OCZYV98YMOILQGM0U4K3/BBW_HiRez_00006.jpg Last Light 2015 Untitled (Fix), Tel Aviv, 2006, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456227893223-53EGC74GTWRVUG5GQIAP/BBW_HiRez_00023.jpg Last Light 2015 Miri Buhadanna (from 'Beauty'), Tel Aviv, 2003, color photograph, Lambda Print, 125x165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456227750892-C9U43EC0B34EPYVWH31I/BBW_HiRez_00017.jpg Last Light 2015 Untitled (Kapara), Jerusalem, 2012, color photograph, inkjet print   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456227739095-9G9A8BILIP880X597RL2/BBW_HiRez_00002.jpg Last Light 2015 Untitled (Black Head), Tel Aviv, 2011, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456228686334-NMMG0WSRED9Z6F5BQP6V/RED_00001.jpg Last Light 2015 Untitled (Shlomi), Tel Aviv, 2010, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456228687890-Q8MA193XBGKVWR31M2AG/RED_000002.jpg Last Light 2015 Untitled (Nancy, Special Edition), Paris, 2008, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456228698082-XY3HT8LZIGC8FGTAYG0Y/RED_000003.jpg Last Light 2015 Untitled (Black Seeds), Jerusalem, 1997, color photograph, inkjet print 125x165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456228706248-YB6HWTH11MQXACOQ4J5B/RED_000004.jpg Last Light 2015 Untitled (Gil Marco), Tel Aviv, 2002, color photograph, inkjet print   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456228712419-CR7Q5TZVI1L7EP29K2A2/RED_000006.JPG Last Light 2015 Untitled (Pineapple), Paris, 2009, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456228718556-5260D43H3OL1EPPUONYZ/RED_000007.jpg Last Light 2015 Untitled (Öcalan), Oslo, 2010, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456228725910-XUR4JGXNDS3UQDC9JNBL/RED_000008.JPG Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456228814345-8AL5L1TJWI1UQXXN02KV/RED_000009.JPG Last Light 2015 Untitled, Tel Aviv (from Multifunction Process), 2004, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456229261986-FH5J2MDENYZYVWJZ9V3S/ORANGE_000001.jpg Last Light 2015 Untitled (one of the sunsets), Tel Aviv, 2013, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456229264824-1O6VSENAX2Z7NEYCB0MK/ORANGE_000002.jpg Last Light 2015 Untitled, (Tiberias - Sea of Galilei) , 2013, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456229276919-01YNSZWHBQDM86S30SS2/ORANGE_000003.JPG Last Light 2015 Untitled, Tel Aviv, 2002, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456229280841-APZ0Q81P0W601Y7EYCNV/ORANGE_000004.jpg Last Light 2015 Untitled (Pineapple), Tel Aviv, 2002, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456229284883-IZKV0Y1ZMQ5FPCR7242O/ORANGE_000005.JPG Last Light 2015 Untitled, Tel Aviv, 2002, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456229288958-RFS77EAROP0HDQROELWY/ORANGE_000006.jpg Last Light 2015 Untitled, Jerusalem, 2013, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456230979697-7F58RMN26B1EHXLXE9VI/YELLOW_000002.JPG Last Light 2015 Untitled, Amsterdam, 2008, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456230986106-DZHLZ1EKK81CBM16GYB0/YELLOW_000003.jpg Last Light 2015 Untitled,(Faragh's Sun ripping the sea) Tel Aviv, 2012, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456230990131-A4V9HLUDZXT3A38N8P43/YELLOW_000001.JPG Last Light 2015 Untitled, Jerusalem (Lemons), 2006, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456230997984-PJCKCVQHIPTCIU3OFJ05/YELLOW_000004.JPG Last Light 2015 Untitled, Los Angeles, 2006, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456231000232-9PX6ER627FLUZ0QBAGXQ/YELLOW_000005.jpg Last Light 2015 Untitled (Naked Pineapple), Paris, 2008, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456231009656-Q96BZNQT45K1TNE1F5FG/YELLOW_000006.JPG Last Light 2015 Untitled, Paris, 2012, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456231022732-6LY499AERDGS878YX05L/YELLOW_000008.jpg Last Light 2015 Untitled (eggs, twines), Tel Aviv, 2002, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456231013423-HNNWSBSAU5CTKSF41BQM/YELLOW_000007.JPG Last Light 2015 Untitled (Bacchanalia), Paris, 2008, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456231027769-TONCZTHV7ENDRJS1FD0Z/YELLOW_000009.jpg Last Light 2015 Untitled (Yellow Orchid), Paris, 2008, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456231036938-DSXAUZGIFP6Q34U41M87/YELLOW_000010.JPG Last Light 2015 Untitled (Bananas), Tel Aviv, 2007, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456232616793-RQBCP3V3Y6JUWCF7MOL0/GREEN_000001.JPG Last Light 2015 Untitled, Glasgow, 2006, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456232606135-76K20NPZ9NGA4X7JISXM/GREEN_000002.JPG Last Light 2015 Untitled (Itay), Tel Aviv, 2005, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456232821803-20SYWIFX1KQ0BXFNYQH2/GREEN_000003.jpg Last Light 2015 Multifunction, Tel Aviv, 2004, color photograph, Lambda print 125x165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456232828173-MWNA7GY9JWGHLQPZ3GMK/GREEN_000004.jpg Last Light 2015 Untitled (twines), Jerusalem, 2006, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456232831375-7GUYPQ9HP9T2HMU3GC71/GREEN_000005.JPG Last Light 2015 Untitled, Tel Aviv, 2004, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456232843135-L38KCUYY4NEIJZOYTH7N/GREEN_000008.jpg Last Light 2015 Untitled, Tel Aviv, 2006, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456232841807-0OL1OQ1WZOKS62M2WYDO/GREEN_000009.JPG Last Light 2015 Untitled, New York, 2006, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456232966647-4R8PVXN9AUU0XRSFA58B/GREEN_000010.JPG Last Light 2015 Untitled, Tel AvivYaffo, 2007, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456232850558-T1PYZ6779QNE19GTYZD1/GREEN_000011.jpg Last Light 2015 Untitled (Neria), Tel Aviv, 2009, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456232890000-N3JSB1XYHUTDS0BVWATY/GREEN_000012.JPG Last Light 2015 Untitled, Los Angeles, 2006, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456232972703-1MQXPCD2UREKGUQWP6X0/GREEN_000013.jpg Last Light 2015 Untitled, Jerusalem, 2004, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456247070181-U1JCV3MAC6N93L4NCAJY/LIGHT_BLUE_000001.jpg Last Light 2015 Untitled (white seeds), Jerusalem, 1997 color photograph, Lambda Print 125x165 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456247077536-87J64DRN5A5A29LC0RX4/LIGHT_BLUE_000002.jpg Last Light 2015 Untitled, Rio de Janeiro, 2015, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456247083070-UFH44K736Q0S30X35K5G/LIGHT_BLUE_000003.jpg Last Light 2015 Untitled, Rio de Janeiro, 2015, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456247089802-AZ4AZXKV38GWKTFGZ9BT/LIGHT_BLUE_000004.jpg Last Light 2015 Untitled, Barcelona, 2007, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456250498621-VS68FHCVVH887NKN2PWW/LIGHT_BLUE_000006.JPG Last Light 2015 Untitled (Bag of Pita Bread), Acre, 2008, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456247108739-9I8KBGPZ24PGY81SMPO1/LIGHT_BLUE_000007.JPG Last Light 2015 Untitled, Glasgow, 2006, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456247112664-T5315655WDXWACRTH8HO/LIGHT_BLUE_000008.jpg Last Light 2015 Untitled, Istanbul, 2002, color photograph, Lambda Print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456251498635-0TPJ15E3PQ2TOLY6YRDQ/LIGHT_BLUE_000009.JPG Last Light 2015 Untitled (Omer), Tel Aviv, 2009, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456251690254-T6V3BZ17JVYWHMAKH290/LIGHT_BLUE_000012.jpg Last Light 2015 Untitled (Light Blue), New York, 2012, color photograph, inkjet print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456251924572-O0KZ3Y5I2NWY8ZO8T9QI/BLUE_000001.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456252382102-TJ5ERZYEOBPX1VYH5IXC/BLUE_000003.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456252410268-INI5QQRQIJB51875SWXN/BLUE_000004.JPG Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456252484351-0CQLKGLE8BE9AAHT1BPJ/BLUE_000006.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456252499744-XS6FBZW52ZII5PGOGK0D/BLUE_000007.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456252536335-72J4H4U2MOBD9JKU12ZT/BLUE_000008.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456252547058-EXEV1UNZZSF0USIKUGN6/BLUE_000010.JPG Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456252613269-7F5NFLHSYNV5X706SHJZ/Purple_000008.JPG Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456252628530-0O3GE841QMBJOGA3TG2L/Purple_000009.JPG Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456252640880-QH6WJIHE5VRWR6DBRIEZ/Purple_000012.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456252631258-8EALVAJU7PEZ8NXPYA13/Purple_000011.jpg Last Light 2015 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456252649920-N38KU5R3XGZX7QXDA12H/Purple_000010.JPG Last Light 2015 http://www.davidadika.com/daily-images daily 0.75 2017-02-15 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487167509808-X4CJIKRAQDYWSW562SLM/DSC00845_s.jpg Daily Image(s) Untitled, Japan 2016 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487167509808-X4CJIKRAQDYWSW562SLM/DSC00845_s.jpg Daily Image(s) Untitled, Japan 2016 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1477164445985-R1LCCPTREFKAOKINL6AO/L1002662.jpg Daily Image(s) Untitled, Tel-Aviv-Yaffo 2016 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1456349668911-S9KG5ZA0DCIYZ8V8HBQR/image-asset.jpeg Daily Image(s) Untitled, Rome 2016 (diptych) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1421493626119-PC0ZA94FFMTOSF7GP8PP/image-asset.jpeg Daily Image(s) Untitled (Abdel Halim Hafez), 2011 (mixed media, inkjet color print, gold silk print) (100/100 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1419376905212-AFFIIDDWPQJNVYG5TGRM/image-asset.jpeg Daily Image(s) Untitled (Bulent Ersoy), 2009 (mixed media, inkjet color print, gold silk print) (100/100 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1410990275502-AZYMCSXWNTKH4NA4VG55/L1000838.jpg Daily Image(s) As In Water Face Reflects Face, Installation View, Lnmm (Latvian National Museum Of Art, Riga 2014 [curator: Inese Baranovska, text by Sarit Shapira] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1407709664412-S9NUKQPGIWYPH0OQDJPA/L1000297.jpg Daily Image(s) Untitled (Half Moon, Jerusalem), 2014 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1404553375246-HR0ONHBEDGNWQB3QVO5F/L1173564.jpg Daily Image(s) Untitled (April), Tokyo, Japan 2014 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1399224784401-VZYK6L17IXRUGS46NZXH/DA_L1174598.jpg Daily Image(s) Untitled (April), Tokyo, Japan 2014 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1393963110387-QJXEAA48KYO4RFQ8M5L1/L1173493.jpg Daily Image(s) Untitled (March), Jaffa-Tel-Aviv 2014 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1385810636239-I7DCP9KWVME4IEW47EH7/Thumbnail_adika_L1172209.jpg Daily Image(s) "As In Water Face Reflects Face", 2013 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1383765997947-YDBHEYQOKND5VAOM28BJ/yam.jpg Daily Image(s) Untitled, Jaffa-Tel-Aviv 2013   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1378372566129-AY3Q75OAG50SRSQB27L2/shanatova_inv.jpg Daily Image(s) SHANA TOVA (Happy New Hebrew Year)  From "Brunette", Jerusalem 2013, A video collaboration with Victoria Hana (Work in process, video art. Make Up Artist: Omer Asaf, Dress Designer: Tamar Primak)   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1378372570682-R9HBGZF924ZYX5I1YTYX/shanatova.jpg Daily Image(s) SHANA TOVA (Happy New Hebrew Year)  From "Brunette", Jerusalem 2013, A video collaboration with Victoria Hana (Work in process, video art. Make Up Artist: Omer Asaf, Dress Designer: Tamar Primak)     https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376771899793-3V244ALXUINBS43JMNMK/Victoria_Hanna_L1172521_s.jpg Daily Image(s) Victoria Hanna ("Brunette"), Jerusalem 2013 (Work in process, video art. Make Up Artist: Omer Asaf, Dress Designer: Tamar Primak) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376771966672-A1TGFMU3ENVKJOS312RO/Victoria_Hanna_L1172496_BW_s.jpg Daily Image(s) Victoria Hanna ("Brunette"), Jerusalem 2013 (Work in process, video art. Make Up Artist: Omer Asaf, Dress Designer: : Tamar Primak) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376695587000-DBSWI5180H80LMYPI0D5/Victoria_Hana_L1172463_BW.jpg Daily Image(s) Victoria Hanna ("Brunette"), Jerusalem 2013 (Work in process, video art. Make Up Artist: Omer Asaf, Dress Designer:: Tamar Primak) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376486243858-00RJ9C4GG7RP1U2G7RL2/L1171882.jpg Daily Image(s) Untitled (Mouth of the Negro Shell ), 2013 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376486237726-OH17L9YAOY7L8HFLI7QQ/L1171878.jpg Daily Image(s) Untitled (Mouth of the Negro Shell ), 2013 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376286923662-966FOQ64INLZ42C1L2SA/L1172300.jpg Daily Image(s) Untitled (Charles Clore Park), Tel-aviv-Yaffo, 2013   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376287741720-S40S9IM852BAVM2H3SQU/L1172271.jpg Daily Image(s) Untitled (Shlomi E, Yehuda Hayamit), Tel-aviv-Yaffo, 2013   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1375992064161-RI13MIW2NFAJO9WN8Z4O/Daily_001.jpg Daily Image(s) Untitled, (Tel-Aviv-Yaffo), 2013 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376078999684-M2GV1PTO198ZAH51MJ4N/photo.JPG Daily Image(s) Untitled, (Tel-Aviv-Yaffo), 2013   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1376286942420-I0JQ00LGODXAQ3VMAWCF/L1172326.jpg Daily Image(s) Untitled ("Jaffa Looking at Tel Aviv", Jaffa-Tel-Aviv), 2013   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1435916250829-F5T53QETG3KOW2OT484D/image-asset.jpeg Daily Image(s) Last Light The Open Museum of Photography Tel Hai Industrial Park Curator: Naama Haikin http://www.davidadika.com/my-soul-is-a-blake-lake-riga-2014 daily 0.75 2015-01-17 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1410990718284-PPHEL3YQTC30GGQMJ2JF/GITTA_L1173211.jpg My Soul Is a Blake Lake, Riga 2014 Gitta (My Soul Is A Black Lake) Riga 2014, (color photography, inkjet color print, 30/40 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1410990718284-PPHEL3YQTC30GGQMJ2JF/GITTA_L1173211.jpg My Soul Is a Blake Lake, Riga 2014 Gitta (My Soul Is A Black Lake) Riga 2014, (color photography, inkjet color print, 30/40 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1410990951639-DL0CAGPG989N9CUOVJ35/L1000793.jpg My Soul Is a Blake Lake, Riga 2014 My Soul Is A Black Lake, Installation View, Lnmm Latvian National Museum Of Art, Riga 2014 [curator: Inese Baranovska] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1410991183085-MPUQL72863YNAU6L9SLT/L1173337.jpg My Soul Is a Blake Lake, Riga 2014 Untitled (Leopard) Riga 2014, (color photography, inkjet color print, 20/29 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1410991399859-Y6KAT2RCK26OIAACMVAR/L1173025.jpg My Soul Is a Blake Lake, Riga 2014 Untitled (bus) Riga 2014, (color photography, inkjet color print, 20/29 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1410991740641-HN0ZRQSNHGEYZY1CV32E/L1173036.jpg My Soul Is a Blake Lake, Riga 2014 Untitled (eye of a tiger) Riga 2014, Untitled (Man and Window) Riga 2014, (color photography, inkjet color print, 20/29 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1410991408897-71PCU7CHX8RYLQXMAPKS/L1000795.jpg My Soul Is a Blake Lake, Riga 2014 My Soul Is A Black Lake, Installation View, Lnmm Latvian National Museum Of Art, Riga 2014 [curator: Inese Baranovska] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1410991544009-FBVGKQ5OM9Q60NK3L9EK/SaharShalev_L10001377.jpg My Soul Is a Blake Lake, Riga 2014 Sahar (My Soul Is A Black Lake) Tel-Aviv-Yaffo 2014, (color photography, inkjet color print, 30/40 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1410991631231-2IPOA9EZ585R1ZYQYAKT/L1000798.jpg My Soul Is a Blake Lake, Riga 2014 My Soul Is A Black Lake, Installation View, Lnmm Latvian National Museum Of Art, Riga 2014 [curator: Inese Baranovska] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1411022461130-SAETGFPPAKY1C6W18A95/L1173272.jpg My Soul Is a Blake Lake, Riga 2014 Untitled (Monument # 1) Riga 2014, (color photography, inkjet color print, 20/29 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1411022465613-NXJADKVQDIIOU62T0E38/L1173274.jpg My Soul Is a Blake Lake, Riga 2014 Untitled (Monument # 2) Riga 2014, (color photography, inkjet color print, 21/29 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1411022524461-TQDK4LBYKAPMO0WOLFN2/L1173035.jpg My Soul Is a Blake Lake, Riga 2014 Untitled (FOTO) Riga 2014, (color photography, inkjet color print, 20/29 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1411022812282-5YHKGGNJLVLG871FRWUE/L1000797.jpg My Soul Is a Blake Lake, Riga 2014 My Soul Is A Black Lake, Installation View, Lnmm Latvian National Museum Of Art, Riga 2014 [curator: Inese Baranovska] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1411023088041-KTMXS3ST11IREL9RY4EZ/L1000225.jpg My Soul Is a Blake Lake, Riga 2014 Untitled (Seashell) Yaffo (Jaffa) 2014, (color photography, inkjet color print, 30/40 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1411023520940-5HEWDY3OYMXA2XTYY62W/L1000799.jpg My Soul Is a Blake Lake, Riga 2014 My Soul Is A Black Lake, Installation View, Lnmm Latvian National Museum Of Art, Riga 2014 [curator: Inese Baranovska] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1411023578208-8NCOO9SS4UKJZJVREJUR/L1173118.jpg My Soul Is a Blake Lake, Riga 2014 Untitled (Man and Window) Riga 2014, (color photography, inkjet color print, 20/29 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1411023621515-HCT64RV8X0XKDEAQN46O/L1000092.jpg My Soul Is a Blake Lake, Riga 2014 Untitled (Last Light) Jerusalem 2014, (color photography, inkjet color print, 30/40 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1411023822826-KY8PTWK2Z2NW651XHPR8/L1173030.jpg My Soul Is a Blake Lake, Riga 2014 Untitled (Two Men) Riga 2014, (color photography, inkjet color print, 20/29 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1411023826974-GNSDGGG0NK0TW1CC4HSS/L1173029.jpg My Soul Is a Blake Lake, Riga 2014 Untitled (Transit) Riga 2014, (color photography, inkjet color print, 20/29 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1411023932954-048ZZ70644E0A0FLCQD3/L1000794.jpg My Soul Is a Blake Lake, Riga 2014 My Soul Is A Black Lake, Installation View, Lnmm Latvian National Museum Of Art, Riga 2014 [curator: Inese Baranovska] https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1411024071483-2IWXA22508KJ60QZOMSG/L1172978.jpg My Soul Is a Blake Lake, Riga 2014 Untitled (photo copy & plant) Riga 2014, (color photography, inkjet color print, 30/40 cm) http://www.davidadika.com/drifter-for-elisha-abargel daily 0.75 2016-02-08 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454964506123-VVN452LPQC7TNW0U6296/0002.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454964506123-VVN452LPQC7TNW0U6296/0002.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454964841828-VFBKWNCG8WFB8V3EJRV4/0004.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454964817089-R2M65VAS7ZX3OV9FT1R3/0001.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454964869408-E5F8MLARCTLGUB0UDEGY/0003.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454964896945-5LRC4B7G81QY5615RAJT/0005.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454964958135-CB8QZBX01E9U4UC2Y0W0/0006.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454964991958-UXR3TX3RUXNZL0Q3QKAS/0011.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454965035801-ZVJMYNUFOUTNN571N30Y/0012.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454965247446-9X5GXX5X6W3TSR0UDOY3/0013.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454965068518-SVOC3XU9X2O3HOAEO4ET/0009.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454965105804-730YLENPIMQYCJRZ1NSO/0010.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454965140345-FJI0YVT6GNV8EXLGTJ75/0007.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454965173223-AGHTE8I8I6ZGZLIETJLY/0014.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454965196055-PVF2HJEFMFB1RJVCCQTS/0008.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454965230400-73JDVTRQW2BZB8MM8OV3/0015.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454965441516-DLURXNSEIWVIFBQ1CT0W/0016.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454965469402-FDJ7DG7GD3PV3HXDOO0V/0017.jpg Elisha Abargel / DRIFTED 2016 Fashion Desinger | Elisha Abargel model | Vered Sahalo make up | Refael Itay Baron hair | Yossi Tayar   http://www.davidadika.com/table-studies-bologna-2016 daily 0.75 2016-02-08 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454882841720-3PN7DLJCGMROB6NWQDP5/L1002815.jpg TABLE STUDIES, Bologna 2016 Table Studies, Installation View, Bologna MUSEI, Casa Morandi, 2016 Curated by Alessia Masi "Looking at his works of those years, one can see that David Adika already has a clear vision of his path. Starting from photography, he adds images which are absolutely devoid of any reference to other specific items. “My photographs are a by-product of the reality of my life. They deal with my personal biography, the collective memory of the society in which I live, and they connect political reality to social reality. In my photographic work, I want to show the presence of beauty, and for this I use strategies of seduction and capture. I am looking for the photographic moment - a specific event of beauty realized in the mechanical photographic act that will fix it forever as a photograph”. Photography, then, as the search for beauty, as a medium able to express seduction and sensuality even through common objects like a plastic bottle or a melon, able to transform the ordinary into something extraordinary and special through the attempt to instill “beauty in everything” - as he says - and leaving it to the visitor to determine aesthetic value, or rather to consider the possibility that “aesthetics” is not just a matter of beauty, but also a function of the relationship between place, identity, image and gaze. Adika, like many other artists all over the world, gladly acknowledges that he finds inspiration in Morandi's work, as a synthesis of color, balance, sensibility and simplicity. So, the decision to exhibit some of Adika's works in the house on Via Fondazza is intended as a further confirmation of the extent to which Morandi's art continues to be a field of research and a source of inspiration for so many young artists. Indeed, it is obvious that the Israeli artist has also internalized the Morandian lesson according to a personal vision, achieved through a careful study of composition and a profound inquiry into the relationship between idea and reality. Subverting the Bressonian theory of the “decisive moment”, as the great French photographer defines the unexpected instant that is worthy of being immortalized, Adika uses the photographic medium to overcome any time-related contingency and to articulate “mental and social questions”. What makes his work really extraordinary is light, a very pure and original light, which almost seems to reject shadow. Although it departs from the pictorial nature of Morandi's light, it evokes it, succeeding in “writing” (from photos graphia = writing with light) images whose similarity is no more than apparent, in perfect harmony with Morandi's variants. “I let myself be totally guided by the light, and I am always in motion, along a path that is a continuous effort to subdue the light”. In Table Studies the minor changes and the subtle variations of light and composition are preparatory to the construction of sense and significance. Seen in sequence, the works seem like frames of a film that restore to each individual subject its own particular significance and expressive value. They look like fragments of an action in motion, where the sometimes imperceptible movement of the subject, or at other times its disappearance, recreates a balanced framing, with an orchestral rhythm and a strong geometrical tension. “If I were to have another life, I would work in the cinema,” the Bolognese artist once said, according to the oral testimony of Carlo Zucchini, sponsor of the Morandi donation. A phrase that most probably alludes precisely to the possibility of seeing his works as a succession of frames, of images that appear in succession, only to be connected in a single large-scale scene, just as happens in film. Likewise in the case of Adika, where the artist playfully overturns the image, we should read his unceasing efforts to undermine the existing order as suggesting new relationships between identity, gaze and sign, beyond prearranged classifications and divisions. https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454882841720-3PN7DLJCGMROB6NWQDP5/L1002815.jpg TABLE STUDIES, Bologna 2016 Table Studies, Installation View, Bologna MUSEI, Casa Morandi, 2016 Curated by Alessia Masi "Looking at his works of those years, one can see that David Adika already has a clear vision of his path. Starting from photography, he adds images which are absolutely devoid of any reference to other specific items. “My photographs are a by-product of the reality of my life. They deal with my personal biography, the collective memory of the society in which I live, and they connect political reality to social reality. In my photographic work, I want to show the presence of beauty, and for this I use strategies of seduction and capture. I am looking for the photographic moment - a specific event of beauty realized in the mechanical photographic act that will fix it forever as a photograph”. Photography, then, as the search for beauty, as a medium able to express seduction and sensuality even through common objects like a plastic bottle or a melon, able to transform the ordinary into something extraordinary and special through the attempt to instill “beauty in everything” - as he says - and leaving it to the visitor to determine aesthetic value, or rather to consider the possibility that “aesthetics” is not just a matter of beauty, but also a function of the relationship between place, identity, image and gaze. Adika, like many other artists all over the world, gladly acknowledges that he finds inspiration in Morandi's work, as a synthesis of color, balance, sensibility and simplicity. So, the decision to exhibit some of Adika's works in the house on Via Fondazza is intended as a further confirmation of the extent to which Morandi's art continues to be a field of research and a source of inspiration for so many young artists. Indeed, it is obvious that the Israeli artist has also internalized the Morandian lesson according to a personal vision, achieved through a careful study of composition and a profound inquiry into the relationship between idea and reality. Subverting the Bressonian theory of the “decisive moment”, as the great French photographer defines the unexpected instant that is worthy of being immortalized, Adika uses the photographic medium to overcome any time-related contingency and to articulate “mental and social questions”. What makes his work really extraordinary is light, a very pure and original light, which almost seems to reject shadow. Although it departs from the pictorial nature of Morandi's light, it evokes it, succeeding in “writing” (from photos graphia = writing with light) images whose similarity is no more than apparent, in perfect harmony with Morandi's variants. “I let myself be totally guided by the light, and I am always in motion, along a path that is a continuous effort to subdue the light”. In Table Studies the minor changes and the subtle variations of light and composition are preparatory to the construction of sense and significance. Seen in sequence, the works seem like frames of a film that restore to each individual subject its own particular significance and expressive value. They look like fragments of an action in motion, where the sometimes imperceptible movement of the subject, or at other times its disappearance, recreates a balanced framing, with an orchestral rhythm and a strong geometrical tension. “If I were to have another life, I would work in the cinema,” the Bolognese artist once said, according to the oral testimony of Carlo Zucchini, sponsor of the Morandi donation. A phrase that most probably alludes precisely to the possibility of seeing his works as a succession of frames, of images that appear in succession, only to be connected in a single large-scale scene, just as happens in film. Likewise in the case of Adika, where the artist playfully overturns the image, we should read his unceasing efforts to undermine the existing order as suggesting new relationships between identity, gaze and sign, beyond prearranged classifications and divisions. https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454884127249-2J7QARUOQAJPIYW7HZRU/L1002811.jpg TABLE STUDIES, Bologna 2016 Table Studies, Installation View, Bologna MUSEI, Casa Morandi, 2016 Curated by Alessia Masi https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454963138202-YFK3F6EHPUDXPL8ROME2/TableStudies_001.jpg TABLE STUDIES, Bologna 2016 Table Studies #01, Paris 2015 color photography, Ink Jet Print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454963192138-ID4NFY2HYZ7QE7E2NRYQ/TableStudies_002.jpg TABLE STUDIES, Bologna 2016 Table Studies #02, Paris 2015 color photography, Ink Jet Print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454963221914-P4KVBU88R9NW2F8HXTZ2/TableStudies_003.jpg TABLE STUDIES, Bologna 2016 Table Studies #03, Paris 2015 color photography, Ink Jet Print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454963252538-M0TW2OHN2SHVROC8ZYWE/TableStudies_004.jpg TABLE STUDIES, Bologna 2016 Table Studies #04, Paris 2015 color photography, Ink Jet Print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454963280723-K2VIXJOPKAZ05B967A1E/TableStudies_005.jpg TABLE STUDIES, Bologna 2016 Table Studies #05, Paris 2015 color photography, Ink Jet Print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454963310204-U24BQQA1Q916B5VPYOKW/TableStudies_006.jpg TABLE STUDIES, Bologna 2016 Table Studies #06, Paris 2015 color photography, Ink Jet Print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454963351432-X7R1ZDKM6V1UMSAN6SIS/TableStudies_007.jpg TABLE STUDIES, Bologna 2016 Table Studies #07, Paris 2015 color photography, Ink Jet Print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454963379631-7KIXW5V7AY6C7VRQQIRG/TableStudies_008.jpg TABLE STUDIES, Bologna 2016 Table Studies #08, Paris 2015 color photography, Ink Jet Print https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454963606955-ZF1ZQIX4F101PFA2PTG7/sketch_02.jpg TABLE STUDIES, Bologna 2016 Table Studies (SKETCH / Site Specific), For Casa Morandi, Bologna, Italy. https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454884361688-KMMFZ3ZP5R227U0GTDZ5/invito+Adika.jpg TABLE STUDIES, Bologna 2016 http://www.davidadika.com/intervantion-2016 daily 0.75 2016-02-08 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454966977914-BFD08EWJ5OKZAV5L0D80/L1002801.jpg Intervention 2016 'Table Studies' Part II (Intervention # 01), Casa Morandi (Morandi's Studio), Bologna, Italy 2016 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1454966977914-BFD08EWJ5OKZAV5L0D80/L1002801.jpg Intervention 2016 'Table Studies' Part II (Intervention # 01), Casa Morandi (Morandi's Studio), Bologna, Italy 2016 http://www.davidadika.com/golden-hands daily 0.75 2017-06-10 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487167960468-MXWBQU0ZASNGKRG9X2C2/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_01.jpg Golden Hands Golden Hands (Installation view) Duo exhibition with artist Hilla Toony Navok Artport, Tel Aviv December 2016 Photos by: Liat Elbling The exhibition Golden Hands is the outcome of a year of mutual work between David Adika and Hilla Toony Navok at Artport Tel Aviv, resulting in ideas on aesthetics, space, design and kitsch that developed into collaboration, where each side supports the other, disrupts his work and surprises the other.   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487167960468-MXWBQU0ZASNGKRG9X2C2/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_01.jpg Golden Hands Golden Hands (Installation view) Duo exhibition with artist Hilla Toony Navok Artport, Tel Aviv December 2016 Photos by: Liat Elbling The exhibition Golden Hands is the outcome of a year of mutual work between David Adika and Hilla Toony Navok at Artport Tel Aviv, resulting in ideas on aesthetics, space, design and kitsch that developed into collaboration, where each side supports the other, disrupts his work and surprises the other.   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487171244881-KLLJWUEHHCJU1RHTHJRD/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_03.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv December 2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487171338016-DRPXITIA8V1YNJ4HG9NB/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_18.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv December 2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487171360803-N2NFW1F8YKSNSWGB228J/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_19.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv 10-31/2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487180031573-T8LFZ9COT1LE8BTTZXF2/L1003618.jpg Golden Hands Room Service (Okura Hotel), TOKYO 2016 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487171383089-Q3NDTQ7E6H9KMC9U4CV5/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_20.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv 10-31/2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487179065424-6PR0AO3I78PBAPHO7DE6/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_21.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv December 2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487182549484-3WHT7HIT1GQHS4PKFCVU/L1005034.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv December 2016 Photo by: David Adika https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487179149696-VOCTO4N43M6X3OZZCF3U/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_22.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv 10-31/2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487180170154-T3C672O0CI5WX7JPWIVU/L1004775.jpg Golden Hands Pink Room (AOMORI) Japan 2016 Photography, Light Box 32x48 cm 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Artport, Tel Aviv 10-31/2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487179620885-BQS1RQ1U6OHPN2DXROZO/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_06.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv 10-31/2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487179721628-1GQXF6JWCK2340TLHG20/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_09.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv 10-31/2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487180284026-W5J9JL57BTFT320NX67S/32x48.jpg Golden Hands She Say Do (shiseido), TOKYO 2016 Manipulated Photograph, Light Box 32x48 c"m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487181594275-1R2B9UGSYFLCL0Z6YTJ9/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_10.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv 10-31/2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487181637825-OUL4U775L18SHGZSXTCQ/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_11.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv 10-31/2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487181657297-TGANMLPUGCTPB4HDS77L/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_12.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv 10-31/2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487181811151-P3SGFLAYA0PDLJRV33TD/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_15.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv 10-31/2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487181955442-LRMTE491NFP9OQ8Y7ZXT/Golden+Hands+%7C+David+Adika+%26+Hilla+Toony+Navok_13.jpg Golden Hands Golden Hands (Installation view) Artport, Tel Aviv 10-31/2016 Photos by: Liat Elbling https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487182617305-6TXGKQL8NUYVAMS2PRU7/L1005017.jpg Golden Hands Hilla Toony Navok by David Adika Golden Hands Artport, Tel Aviv 10-31/2016   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487182931709-3IQPECHM9XQDHT9WBW40/L1005021.jpg Golden Hands David Adika by Hilla Toony Navok Golden Hands Artport, Tel Aviv 10-31/2016 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487183073926-BETY2BPKAMVHWLL4FSWN/L1005047.jpg Golden Hands Hilla Toony Navok by David Adika Golden Hands Artport, Tel Aviv 10-31/2016 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487183126251-7WKY96C10G7Y92R8LZCP/L1005040.jpg Golden Hands David Adika by Hilla Toony Navok Golden Hands Artport, Tel Aviv 10-31/2016 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487183140379-39VEYZRD8TMPDCTV3XKX/GoldenHands_001.jpg Golden Hands https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487183229032-T80JNGG5CR32VGLWTVZ4/GoldenHands_005.jpg Golden Hands https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487183272214-Z9PLCZJQDD7BCUE8HZDG/GoldenHands_006.jpg Golden Hands http://www.davidadika.com/book-case-2016 daily 0.75 2017-02-16 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487282820864-TT6SXUNENL6IIRWSRZ8E/IMG_8403.jpg Book Case 2016 Book Case, 2016 (Installation) Installation Views By: Liat Elbling & David Adika Exhibited in Nonfinito Artport residency's final year exhibition 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(Installation) Installation Views By: Liat Elbling & David Adika Exhibited in Nonfinito Artport residency's final year exhibition https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487283061012-B8YLT4NEZI0CJZB0U69I/IMG_8407.jpg Book Case 2016 Book Case, 2016 (Installation) Installation Views By: Liat Elbling & David Adika Exhibited in Nonfinito Artport residency's final year exhibition https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487283090476-7E4Q02ZRHAKX7719TMSY/4G8G7570.jpg Book Case 2016 Book Case, 2016 (Installation) Installation Views By: Liat Elbling & David Adika Exhibited in Nonfinito Artport residency's final year exhibition https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487283142982-JEQQAP60Z9I1PEMMSROO/4G8G7603.jpg Book Case 2016 Book Case, 2016 (Installation) Installation Views By: Liat Elbling & David Adika Exhibited in Nonfinito Artport residency's final year exhibition https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487283192454-DVYXLVSCLBDKBSKYKL5X/4G8G7599.jpg Book Case 2016 Book Case, 2016 (Installation) Installation Views By: Liat Elbling & David Adika Exhibited in Nonfinito Artport residency's final year exhibition https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487283171330-2HMKRZ14EUU906GHC2I6/IMG_8409.jpg Book Case 2016 Book Case, 2016 (Installation) Installation Views By: Liat Elbling & David Adika Exhibited in Nonfinito Artport residency's final year exhibition https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487283238736-ONVMJKCTO5OO07G3GWPG/4G8G7562.jpg Book Case 2016 Book Case, 2016 (Installation) Installation Views By: Liat Elbling & David Adika Exhibited in Nonfinito Artport residency's final year exhibition https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487283263052-N7ZUJ8MP7H2JNR9KKSZ6/Artport-30-08-2016-DSCF7732-Disk-4.jpg Book Case 2016 Book Case, 2016 (Installation) Installation Views By: Liat Elbling & David Adika Exhibited in Nonfinito Artport residency's final year exhibition http://www.davidadika.com/egg-eye daily 0.75 2017-02-16 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487280402140-L9ODRB0KWBHX0FVWUUY4/L1004261.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487280402140-L9ODRB0KWBHX0FVWUUY4/L1004261.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487280679623-O4YVHOR9OPKOS4D2S48Y/L1004149.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487280716503-WG9JKVAJ0AJ6WQ828YPY/L1004177-2.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487280750811-PU7G13NZ4QSPW1UJG2OO/L1004209.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487280860169-2TS3BGWGJV1IYU1BFID2/L1004204.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487280907064-KWUM4HYBL0LMJ3B9XVK4/L1004217.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487280955374-479D3N1KERD9KSXNJB9I/L1004224.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487281110403-BK5NYXATPBNJFOOI9WFJ/L1004229.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487281313107-CZGSHLVFZY396N2JO1KU/%D7%90%D7%92%D7%A1%D7%99%D7%9D_02.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487281637239-EII16JEPBZVVYBFHIN8D/L1004089.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487281673718-LCLO2WQRXET659HV93FQ/L1004272.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487281740808-PYNTMYLOP8KAHT3SCKSR/L1004274.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487281775706-3B7MY1D6QM2BY5F7KDBD/L1004288.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487281814266-A26RMKU2HIM45KI828TG/L1004084.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487281837341-7D0X50XTYLZ1AB65PX9C/L1004059.jpg Egg Eye Filip Pagowski with EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487281908264-NULTOWO1RAWK8E1JJ7AN/L1004171_2.jpg Egg Eye EGG EYE, Warsaw 2016 Collaboration with Filip Pagowski Producer: Arieh Rozen for the Polish Institute in TLV, Israel http://www.davidadika.com/news-now-on-view daily 0.75 2018-02-27 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1502224787591-HVTCR7UFPP6G9KIJ3KUY/Vlisco-003.jpg Musrara Mix Festival VLISCO - Helmond, Netherland, August 2017 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1502224787591-HVTCR7UFPP6G9KIJ3KUY/Vlisco-003.jpg Musrara Mix Festival VLISCO - Helmond, Netherland, August 2017 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496614371066-BZZPV47PG27052ERLEVF/L1005469.jpg Musrara Mix Festival Africana Silk Prints installation view Terra Incognita - East and West – Hybrid world Musrara Mix Festival Jerusalem 2017 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1490998173993-JKXNDPEVKC8OUC2KVBOJ/David_fin_web.png Musrara Mix Festival BLACK MONEY, WHITE LIES GALERIE KLUBOVNA Francouzská 33 Brno 602 00 www.galerieklubovna.cz https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496614854518-PEY4FUANK9XLCM6IECUD/L1005450.jpg Musrara Mix Festival Africana Silk Prints installation view Musrara Mix Festival, Terra Incognita, JERUSALEM 2017   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496614861528-NT0UMUGYJTWXR26EGTJ6/L1005456.jpg Musrara Mix Festival Africana Silk Prints installation view Musrara Mix Festival, Terra Incognita, JERUSALEM 2017 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1487160993889-ZOUKVU1IULFVXX1XY5IF/0003.jpg Musrara Mix Festival https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496614878730-A8LHMRGXQJRKKH4KCBXA/L1005458.jpg Musrara Mix Festival Africana Silk Prints installation view Musrara Mix Festival, Terra Incognita, JERUSALEM 2017 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496614894580-9SETONEX1XWFWTT2R6S6/L1005467.jpg Musrara Mix Festival Africana Silk Prints installation view Musrara Mix Festival, Terra Incognita, JERUSALEM 2017 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496614901927-Y8T2GUA6L64V12U55I69/L1005473.jpg Musrara Mix Festival Africana Silk Prints installation view Musrara Mix Festival, Terra Incognita, JERUSALEM 2017 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496614918214-BU1OFFZ8MXJ7HPGORX1N/L1005446.jpg Musrara Mix Festival Africana Silk Prints installation view Musrara Mix Festival, Terra Incognita, JERUSALEM 2017 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496614940781-H96XAXNWRCKAS6U7DPWG/L1005462.jpg Musrara Mix Festival Africana Silk Prints installation view Musrara Mix Festival, Terra Incognita, JERUSALEM 2017 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496614952749-MNVI0LSN3J2X2TZ6K6Q6/L1005463.jpg Musrara Mix Festival Africana Silk Prints installation view Musrara Mix Festival, Terra Incognita, JERUSALEM 2017 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496614974493-341GJB37RQZTYCSEPPRQ/L1005444.jpg Musrara Mix Festival Africana Silk Prints installation view Musrara Mix Festival, Terra Incognita, JERUSALEM 2017 http://www.davidadika.com/black-money-white-lies-2017 daily 0.75 2017-04-11 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1490998403255-YMTIK1B69P7XJXNYKTR8/David_fin_web.png BLACK MONEY, WHITE LIES 2017 BLACK MONEY, WHITE LIES 2017 Curated by Marta Fišerová GALERIE KLUBOVNA Francouzská 33 Brno 602 00 www.galerieklubovna.cz https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1490998403255-YMTIK1B69P7XJXNYKTR8/David_fin_web.png BLACK MONEY, WHITE LIES 2017 BLACK MONEY, WHITE LIES 2017 Curated by Marta Fišerová GALERIE KLUBOVNA Francouzská 33 Brno 602 00 www.galerieklubovna.cz https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1490998451479-RU4B1VN4NSKZYRTF3D4O/DSC00845.jpg BLACK MONEY, WHITE LIES 2017 Untitled, Japan 2015 Color Photography, Inkjet Print 54x80 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1491942365286-N7SKI3MTKPAUM87F9HL1/L1005230.jpg BLACK MONEY, WHITE LIES 2017 BLACK MONEY, WHITE LIES Installation View, GALERIE KLUBOVNA, BRNO Francouzská 33 Brno 602 00 www.galerieklubovna.cz https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1491942046993-RTW9WLSMJ9H75VXB9475/L1005206.jpg BLACK MONEY, WHITE LIES 2017 BLACK MONEY, WHITE LIES Installation View, GALERIE KLUBOVNA, BRNO Francouzská 33 Brno 602 00 www.galerieklubovna.cz https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1491942155476-OHTL50LQXM2GPJCHNXPC/L1005215.jpg BLACK MONEY, WHITE LIES 2017 BLACK MONEY, WHITE LIES Installation View, GALERIE KLUBOVNA, BRNO https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1491942212619-8FFBW142M1I2Q2A7YO2R/L1005223.jpg BLACK MONEY, WHITE LIES 2017 BLACK MONEY, WHITE LIES Installation View, GALERIE KLUBOVNA, BRNO https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1491942862962-FYMWJLZMCT71HTSFM44V/L1005209.jpg BLACK MONEY, WHITE LIES 2017 BLACK MONEY, WHITE LIES Installation View, GALERIE KLUBOVNA, BRNO Francouzská 33 Brno 602 00 www.galerieklubovna.cz https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1491942241800-BGI2UOV0RGQRUXI94RP3/L1005229.jpg BLACK MONEY, WHITE LIES 2017 BLACK MONEY, WHITE LIES Installation View, GALERIE KLUBOVNA, BRNO https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1491942618212-MO5XXAM4GE0YH57ID77J/L1005227.jpg BLACK MONEY, WHITE LIES 2017 BLACK MONEY, WHITE LIES Installation View, GALERIE KLUBOVNA, BRNO Marta & Martin www.galerieklubovna.cz https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1491943044273-FC6ICPBP74YVBX0SKI90/L1005204.jpg BLACK MONEY, WHITE LIES 2017 BLACK MONEY, WHITE LIES Installation View, GALERIE KLUBOVNA, BRNO Francouzská 33 Brno 602 00 www.galerieklubovna.cz http://www.davidadika.com/datd daily 0.75 2017-04-22 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1492877186154-HUSCDS04OJ1URIULYM7O/4G8G8521.jpg DATD New Collaboration with TAL DRORI whole project will be launch on Autumn 2017 Model : Lior Shachar Artist Makeup and Hair Stylist : Raphel Itay Baron Cloths By "ATA" https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1492877186154-HUSCDS04OJ1URIULYM7O/4G8G8521.jpg DATD New Collaboration with TAL DRORI whole project will be launch on Autumn 2017 Model : Lior Shachar Artist Makeup and Hair Stylist : Raphel Itay Baron Cloths By "ATA" https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1492877645664-HMDYY4CKQAZCNPQV7LT5/4G8G8617.jpg DATD New Collaboration with TAL DRORI whole project will be launch on Autumn 2017 Model : Lior Shachar Artist Makeup and Hair Stylist : Raphel Itay Baron Cloths By "ATA" https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1492877738994-OVDQJBT019GKLTKRPPRC/4G8G8637.jpg DATD New Collaboration with TAL DRORI whole project will be launch on Autumn 2017 Model : Lior Shachar Artist Makeup and Hair Stylist : Raphel Itay Baron Cloths By "ATA" http://www.davidadika.com/africana-tel-aviv-museum-2017 daily 0.75 2017-06-05 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496696920561-64OPZZ69TV7KNTFIC6CB/IMG_0471.JPG AFRICANA, Tel Aviv Museum 2017   Africana Installation view, Tel Aviv Museum 2017 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) Regarding Africa: Contemporary Art and Afro-Futurism Curator: Ruth Direktor The term Afro-futurism refers to music that grew during the 1960s among Afro-Americans as well as to the poetry, comics, cinema and art that developed later. Today it applies to a wide range of art that reflects, in various absurd ways, an African version of futurism. That is, the subversion of traditional divisions: fantasy and cosmology, usually ascribed to the mythology of a pre-modern past, transmute in an ancient-modern attire to representations of science fiction and futurology. Different narratives are reflected through utterances that shatter the conventional distinctions between truth and fiction, between myth and science, between technology and spiritualism. Often, the supernatural conception anchored in primeval myths appears in a futurist context, thus subverting hegemonic thought. In contrast, animism and science fiction coexist without conflict and in fact stem from the same sources.   The works in the exhibition reflect the vitality and effervescence that motivate Africa today, as well as the chaotic, brutal and at times tragic African reality, and its never-ending changes. Thus the exhibition not only denotes the futurist African direction, but also moves along the axis between an optimist and a pessimist perception of the continent, decades after its gradual liberation from colonialism. The works were created during the post-colonial period: the earliest date to the 1960s and 1970s (Africa’s “Decade of Independence”) and should be viewed as individual cases , as well as expressions of colonialism and its ramifications, through a redefinition of the African body, landscape and culture.   Works created in Israel reflect Little Africa—the growing community of immigrant workers and asylum seekers from Africa in south Tel Aviv. They express various aspects of the Africa–Israel connection, and of the way Africa has assimilated into the Israeli imagination, fantasy and reality.   Afro-futurism is proposed here as a prism of looking at sub-Saharan Africa, which is powerfully present, with all its complexity and tributaries, in the artistic work and discourse of the past few decades. Some regard Afro-futurism as a movement, others as a philosophy, but whether it is a worldview or an aesthetics, Afro-futurism is a means for stepping over the tortured past of Africa and the African diaspora, and adopt the future through a black cultural lens.   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496696920561-64OPZZ69TV7KNTFIC6CB/IMG_0471.JPG AFRICANA, Tel Aviv Museum 2017   Africana Installation view, Tel Aviv Museum 2017 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) Regarding Africa: Contemporary Art and Afro-Futurism Curator: Ruth Direktor The term Afro-futurism refers to music that grew during the 1960s among Afro-Americans as well as to the poetry, comics, cinema and art that developed later. Today it applies to a wide range of art that reflects, in various absurd ways, an African version of futurism. That is, the subversion of traditional divisions: fantasy and cosmology, usually ascribed to the mythology of a pre-modern past, transmute in an ancient-modern attire to representations of science fiction and futurology. Different narratives are reflected through utterances that shatter the conventional distinctions between truth and fiction, between myth and science, between technology and spiritualism. Often, the supernatural conception anchored in primeval myths appears in a futurist context, thus subverting hegemonic thought. In contrast, animism and science fiction coexist without conflict and in fact stem from the same sources.   The works in the exhibition reflect the vitality and effervescence that motivate Africa today, as well as the chaotic, brutal and at times tragic African reality, and its never-ending changes. Thus the exhibition not only denotes the futurist African direction, but also moves along the axis between an optimist and a pessimist perception of the continent, decades after its gradual liberation from colonialism. The works were created during the post-colonial period: the earliest date to the 1960s and 1970s (Africa’s “Decade of Independence”) and should be viewed as individual cases , as well as expressions of colonialism and its ramifications, through a redefinition of the African body, landscape and culture.   Works created in Israel reflect Little Africa—the growing community of immigrant workers and asylum seekers from Africa in south Tel Aviv. They express various aspects of the Africa–Israel connection, and of the way Africa has assimilated into the Israeli imagination, fantasy and reality.   Afro-futurism is proposed here as a prism of looking at sub-Saharan Africa, which is powerfully present, with all its complexity and tributaries, in the artistic work and discourse of the past few decades. Some regard Afro-futurism as a movement, others as a philosophy, but whether it is a worldview or an aesthetics, Afro-futurism is a means for stepping over the tortured past of Africa and the African diaspora, and adopt the future through a black cultural lens.   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496696959447-EOZUFLIBQFKFAZ6YTAGN/0003.jpg AFRICANA, Tel Aviv Museum 2017 Africana 2016 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) In 2003, David Adika presented “Mahogany,” a series of 11 photographs of wooden statuettes from Africa that decorated his parents’ living room. His father had brought them from his travels to Africa—small sculptures of animals made of pale wood and painted black, sold as souvenirs. Adika photographed them on a glossy black surface, with dramatic lighting, seeking to echo the domestic sideboard, and printed the photographs in a large format, thus providing the African souvenir statuettes with a magnificent, monumental representation. The title “Mahogany” further imbued them with the opulence of the expensive wood (which has nothing to do with them) and hinted at a pun: the Hebrew word for “mahogany” can be read as “what is my color?” The question which Adika raised about the statuettes as well as about himself made the first link in Israeli art between the African black and the relative blackness of Oriental Israelis, thus diverting along the way the post-colonial discourse to the local, ethnic context. The series “Africana” continues Adika’s ongoing interest in objects as identity conductors and in still life as the continuation or replacement of the body as a political entity. At the core of these new photographs is commercial glazed ceramic tableware made in Israel in the 1950s, 1960s and 1970s by companies including Na’aman, Lapid, Palceramic and Beit Hayotser, in the attempt to create an authentic Israeli material language. The tableware, generally known as “Israeliana,” eventually lost its attraction due to, among other reasons, its identification with archeology, ideology and the fascination with the idea of a “homeland,” as well as changing tastes. Today it can be found in flea markets—usually slightly faulty or broken—where Adika purchases the pieces, building himself a collection of Israeliana in earthen hues, with the esthetics of Modernism identified with Israel’s early decades. When he photographs them against a background of wooden panels painted in complementary colors, he extricates from these vessels the layers of African influence that have not been elucidated so far, nor noted in the consciousness: the shapes, colors, design. He photographs the tableware singly, in pairs and in groups, and only a slight change of perception is needed in order to transform it into staged studio portraits. Adika makes a double move here: he presents the formalist aspect of the 1984 MOMA exhibition “Primitivism in 20th Century Art: Affinity of the Tribal and the Modern” and annexes to it the insights of post-colonial discourse. The photographs show how the new, modern-western Israeli identity often adopted, not necessarily consciously, an African esthetic—exotic and authentic rootedness in the guise of Modernism. Curator: Ruth Direktor, TLV Museum 2017 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496696981474-YLWJCADPMR5PNQ6X0EIL/IMG_0473.JPG AFRICANA, Tel Aviv Museum 2017 Africana Installation view, Tel Aviv Museum 2017 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496696990183-JQ7ZSHI3BLKCHMRMOQ1R/0004.jpg AFRICANA, Tel Aviv Museum 2017 Africana 2016 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496697016270-SI643ZCAXKBCLFU97YWL/IMG_0477.JPG AFRICANA, Tel Aviv Museum 2017 Africana Installation view, Tel Aviv Museum 2017 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496697017980-Q29WSQRADUI3ZO41C6CM/00011.jpg AFRICANA, Tel Aviv Museum 2017 Africana 2016 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496697058554-4Q036FXBKB66OJX162HK/010.jpg AFRICANA, Tel Aviv Museum 2017 Africana Installation view, Tel Aviv Museum 2017 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496697091083-FWOX9SJE7B7ZDKLLAY8D/IMG_0483.JPG AFRICANA, Tel Aviv Museum 2017 Africana Installation view, Tel Aviv Museum 2017 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496697161446-QH3X0GVXR6J6FXQX8BMI/IMG_0476.JPG AFRICANA, Tel Aviv Museum 2017 Africana Installation view, Tel Aviv Museum 2017 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496697190712-UWWJLBBR4RVRL15UWAZ2/IMG_2462.jpg AFRICANA, Tel Aviv Museum 2017 Africana Installation view, Tel Aviv Museum 2017 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496697169183-FR90ORZFIITQVXB0X598/IMG_0475.JPG AFRICANA, Tel Aviv Museum 2017 Africana Installation view, Tel Aviv Museum 2017 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496697199668-M8NVKY5UYUKOM1J8R0RR/011.jpg AFRICANA, Tel Aviv Museum 2017 Africana Installation view, Tel Aviv Museum 2017 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1496697280001-V1D8M3SWP0XLS234LNVI/IMG_0472.JPG AFRICANA, Tel Aviv Museum 2017 Africana Installation view, Tel Aviv Museum 2017 Mixed technique, color photography, inkjet print and paint on wall (Print size: 130x170 cm / Work size: 230x320 cm) http://www.davidadika.com/iscp-ny-residency daily 0.75 2018-02-27 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1519711047138-VBY3FGU1JCX1CR90XNT1/L1006289.jpg ISCP - NY Residency 2018 Metropolitan Avenue, Brooklyn NY 2018 January 1st - April 1st, 2018 Residency at the ISCP - International Studio & Curatorial Program supported by ARTIS and ISCP   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1519711047138-VBY3FGU1JCX1CR90XNT1/L1006289.jpg ISCP - NY Residency 2018 Metropolitan Avenue, Brooklyn NY 2018 January 1st - April 1st, 2018 Residency at the ISCP - International Studio & Curatorial Program supported by ARTIS and ISCP   https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1519711668648-IYSPV1QCOB5CMBY5PUHI/L1006292.jpg ISCP - NY Residency 2018 NY Table Studies #210, ISCP, Brooklyn 2018 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1519711862437-OMIZ2XPLCSTZRUES6UT9/L1006238.jpg ISCP - NY Residency 2018 Brown Stones (Untitled), Brooklyn 2018 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1519711932710-4QL90ZQNFDOM61FXBA21/L1006237.jpg ISCP - NY Residency 2018 Brown Stones (with a man), Untitled, Brooklyn 2018 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1519712022744-XWJFYTOFT41ALDDTOQVL/L1006242.jpg ISCP - NY Residency 2018 Brown Stones (Untitled), Brooklyn 2018 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1519712055805-NG8UUU2YDXN26DU96DND/L1006240.jpg ISCP - NY Residency 2018 Brown Stones (Untitled), Brooklyn 2018 http://www.davidadika.com/group-exhibitions daily 0.75 2021-07-17 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1531260426418-G3YUTGQAWRIHKS44SVZB/IMG_8855.jpg Group Exhibitions / Installation Views Untitled (HOME STUDIES) 2018 Color photography, inkjet archival print, framed 129.4 x 92.4 cm / painted wall 300 x 200 cm (Installation View, Opening Event) ONLY THROUGH TIME TIME IS CONQUERED Group Exhibition at DITTRICH & SCHLECHTRIEM, BERLIN DAVID ADIKA / ELAD KOPLER / IVRI LIDER / EITAN BEN MOSHE / ERAN NAVE / FATMA SHANAN / LIHI TURJEMAN / GAL WEINSTEIN https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1531260426418-G3YUTGQAWRIHKS44SVZB/IMG_8855.jpg Group Exhibitions / Installation Views Untitled (HOME STUDIES) 2018 Color photography, inkjet archival print, framed 129.4 x 92.4 cm / painted wall 300 x 200 cm (Installation View, Opening Event) ONLY THROUGH TIME TIME IS CONQUERED Group Exhibition at DITTRICH & SCHLECHTRIEM, BERLIN DAVID ADIKA / ELAD KOPLER / IVRI LIDER / EITAN BEN MOSHE / ERAN NAVE / FATMA SHANAN / LIHI TURJEMAN / GAL WEINSTEIN https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1531260415877-V5JRGRTCEQ4DYC9FGGGQ/IMG_8851.jpg Group Exhibitions / Installation Views Untitled (HOME STUDIES) 2018 Color photography, inkjet archival print, framed 129.4 x 92.4 cm / painted wall 300 x 200 cm (Installation View, Opening event) ONLY THROUGH TIME TIME IS CONQUERED Group Exhibition at DITTRICH & SCHLECHTRIEM, BERLIN DAVID ADIKA / ELAD KOPLER / IVRI LIDER / EITAN BEN MOSHE / ERAN NAVE / FATMA SHANAN / LIHI TURJEMAN / GAL WEINSTEIN https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1531260407997-D1QMFUCU0DW2WYKYZO22/IMG_8815.jpg Group Exhibitions / Installation Views Untitled (HOME STUDIES) 2018 Color photography, inkjet archival print, framed 129.4 x 92.4 cm / painted wall 300 x 200 cm (Installation View) ONLY THROUGH TIME TIME IS CONQUERED Group Exhibition at DITTRICH & SCHLECHTRIEM, BERLIN DAVID ADIKA / ELAD KOPLER / IVRI LIDER / EITAN BEN MOSHE / ERAN NAVE / FATMA SHANAN / LIHI TURJEMAN / GAL WEINSTEIN https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1531259041483-451OHM0DG3CDGZ416G8T/DS050718_001.jpg Group Exhibitions / Installation Views Untitled (HOME STUDIES) 2018 Color photography, inkjet archival print, framed 129.4 x 92.4 cm / painted wall 300 x 200 cm (Installation View) ONLY THROUGH TIME TIME IS CONQUERED Group Exhibition at DITTRICH & SCHLECHTRIEM, BERLIN DAVID ADIKA / ELAD KOPLER / IVRI LIDER / EITAN BEN MOSHE / ERAN NAVE / FATMA SHANAN / LIHI TURJEMAN / GAL WEINSTEIN EXHIBITION: 07 JULY – 18 AUGUST 2018 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609589387547-ZAQD7R80AGUX7Y5O1LPE/ADIKA_LOBY_L1009566-2.jpg Group Exhibitions / Installation Views Untitled (From LOBBY 2020), Jaffa 2020 Soon at Petach Tikva Museum Of Art : Now Open Exhibition https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1531258617445-0Q2RGFQII3XVJEW9HQSK/DS050718_002.jpg Group Exhibitions / Installation Views Untitled (HOME STUDIES) 2018 Color photography, inkjet archival print, framed 129.4 x 92.4 cm / painted wall 300 x 200 cm ONLY THROUGH TIME TIME IS CONQUERED DAVID ADIKA / ELAD KOPLER / IVRI LIDER / EITAN BEN MOSHE / ERAN NAVE / FATMA SHANAN / LIHI TURJEMAN / GAL WEINSTEIN EXHIBITION: 07 JULY – 18 AUGUST 2018 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1531259497615-GJYWR8B1U5CBKE3YUCJU/L1005911_80x117CM.jpg Group Exhibitions / Installation Views Untitled (HOME STUDIES) 2018 Color photography, inkjet archival print, framed 129.4 x 92.4 cm https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1531259106809-UZFNFEMONQ3IQJAY4XME/DS050718_004.jpg Group Exhibitions / Installation Views Untitled (Black bottle with yellow hat, diptych) 2018 Two color photographs, inkjet archival print, framed 72.8 x 50.6 cm each / painted wall 300 x 200 cm Installation view ONLY THROUGH TIME TIME IS CONQUERED DAVID ADIKA / ELAD KOPLER / IVRI LIDER / EITAN BEN MOSHE / ERAN NAVE / FATMA SHANAN / LIHI TURJEMAN / GAL WEINSTEIN EXHIBITION: 07 JULY – 18 AUGUST 2018 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1531259358456-1IOQ711OPF0SL96T5MPN/L1006302_44x66CM.jpg Group Exhibitions / Installation Views Untitled (Black bottle with yellow hat) 2018 One of 2 color photographs, inkjet archival print, framed (diptych) 72.8 x 50.6 cm each https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1531259369822-EHT0MW23XTP9MRGWYZAX/L1006303_44x66CM.jpg Group Exhibitions / Installation Views Untitled (Black bottle with yellow hat) 2018 One of 2 color photographs, inkjet archival print, framed (diptych) 72.8 x 50.6 cm each http://www.davidadika.com/new-gallery daily 0.75 2021-01-04 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584320017-E79ZPXDYV82588OWF7HW/BLACK_MARKET_DavidAdika_invitation.jpg BLACK MARKET 2020 BLACK MARKET, Braverman Gallery, Tel-Aviv Yaffo 2020 (February to May) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584320017-E79ZPXDYV82588OWF7HW/BLACK_MARKET_DavidAdika_invitation.jpg BLACK MARKET 2020 BLACK MARKET, Braverman Gallery, Tel-Aviv Yaffo 2020 (February to May) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1581758052897-RW6B9QWN129RDNIDSXMM/BLACK_MARKET_DAVID_ADIKA_0001.jpg BLACK MARKET 2020 Untitled (figurine, 'Mizrachi', #005 inverse) from a “Black Market” (Color photography, inkjet print in varying dimensions) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583158845-GKTPUH7TUVEK6UE5K4I8/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig-5.jpg BLACK MARKET 2020 BLACK MARKET, Installation View, Braverman Gallery, Tel-Aviv Yaffo 2020 Painted Walls in collaboration with Artist Ronny Carny https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583607439-2OJ2Q7I3ADQCFIHT8MK0/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig-2-2.jpg BLACK MARKET 2020 BLACK MARKET, Installation View, Braverman Gallery, Tel-Aviv Yaffo 2020 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583305305-95ZJ1I9OKIQ7H9NZXL12/Untitled-Alikma-Photogram-no.-001-from-Black-Market-BW-Photography-36x54-cm-1.jpg BLACK MARKET 2020 Untitled (Alikma, Photogram No. 001) from “Black Market”, B/W Photography, Silver Print 36/54 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583758232-P8ESNG1C3PULSBGWCNPH/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig-6.jpg BLACK MARKET 2020 BLACK MARKET, Installation View, Braverman Gallery, Tel-Aviv Yaffo 2020 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583952504-SL37W2XP1G649JPDNULC/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig-10.jpg BLACK MARKET 2020 BLACK MARKET, Installation View, Braverman Gallery, Tel-Aviv Yaffo 2020 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583681541-XAPDWDII1F8DAK34NSKZ/Untitled-figurine-%E2%80%98Hakun%E2%80%99-no.-013-A-from-a-%E2%80%9CBlack-Market%E2%80%9D-Color-photographyinkjet-print-in-varying-dimensions-35x51-cm-1.jpg BLACK MARKET 2020 Untitled (figurine, ‘Hakuli’ #012 A) from a “Black Market” (Color photography, inkjet print in varying dimensions) 35/51 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583675563-16W3DYIURZHP8XC3AM8Y/Untitled-figurine-%E2%80%98Hakun%E2%80%99-no.-012-A-from-a-%E2%80%9CBlack-Market%E2%80%9D-Color-photography-inkjet-print-in-varying-dimensions-35x51-cm-1.jpg BLACK MARKET 2020 Untitled (figurine, ‘Hakuli’ #011 A) from a “Black Market” (Color photography, inkjet print in varying dimensions) 35/51 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584006398-I9HI64U1WI7R0OM61PLK/Untitled-figurine-%E2%80%98Hakun%E2%80%99-no.-011-A-from-a-%E2%80%9CBlack-Market%E2%80%9D-Color-photography-inkjet-print-in-varying-dimensions-35x51-cm-1.jpg BLACK MARKET 2020 Untitled (figurine, ‘Hakuli’ #013 A) from a “Black Market” (Color photography, inkjet print in varying dimensions) 35/51 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583805423-L5U3W2643OMDCEH4O1OE/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig-7.jpg BLACK MARKET 2020 BLACK MARKET, Installation View, Braverman Gallery, Tel-Aviv Yaffo 2020 Painted Wall in collaboration with Artist Ronny Carny https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583799670-LQH97ZOGR9HU00NLYH2F/Untitled-figurine-Mizrachi-no.-001-RED-from-a-%E2%80%9CBlack-Market%E2%80%9D-Color-photographyinkjet-print-in-varying-dimensions-86x126-cm-1.jpg BLACK MARKET 2020 Untitled (figurine, 'Mizrachi', #001 RED) from a “Black Market” (Color photography, inkjet print in varying dimensions) 86/126 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583816785-GB1NEMZ076ZVOERU695H/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig-11.jpg BLACK MARKET 2020 - BLACK MARKET, Installation View, Braverman Gallery, Tel-AvivYaffo 2020 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583834260-A4CQTULFS4XGJL3KL48Y/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig.jpg BLACK MARKET 2020 BLACK MARKET, Installation View, Braverman Gallery, Tel-Aviv Yaffo 2020 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583869015-BQ0B0678P634GKWK9RBW/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig-9.jpg BLACK MARKET 2020 BLACK MARKET, Installation View, Braverman Gallery, Tel-Aviv Yaffo 2020 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583893208-S88NJLEYL2JWK7T5QOSN/Untitled-figurine-Mizrachi-no.-008-A-from-a-%E2%80%9CBlack-Market%E2%80%9D-Color-photography-inkjet-print-in-varying-dimensions-78x110-cm-1.jpg BLACK MARKET 2020 Untitled (figurine, 'Mizrachi', #008 A) from a “Black Market” (Color photography, inkjet print in varying dimensions) 78/110 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583897565-OSKZLZDFAY5S1T0VUBXH/Untitled-figurine-Mizrachi-no.-006-A-from-a-%E2%80%9CBlack-Market%E2%80%9D-Color-photography-inkjet-print-in-varying-dimensions-78x110-cm-1.jpg BLACK MARKET 2020 Untitled (figurine, 'Mizrachi', #005) from a “Black Market” (Color photography, inkjet print in varying dimensions) 78/110 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609583939647-Z7BDSLTL7Q86BRXIWRF8/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig-8.jpg BLACK MARKET 2020 BLACK MARKET, Installation View, Braverman Gallery, Tel-Aviv Yaffo 2020 Painted Walls in collaboration with Artist Ronny Carny https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584054667-8F1GUKSTF48W3J16TCAD/Untitled-figurine-Mizrachi-no.-005-green-from-a-%E2%80%9CBlack-Market%E2%80%9D-Color-photography-inkjet-print-in-varying-dimensions-61x89-cm-1.jpg BLACK MARKET 2020 Untitled (figurine, 'Mizrachi', #005 green) from a “Black Market” (Color photography, inkjet print in varying dimensions) 61/89 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584053676-O6RW9HF0CQRE3OD6BXSB/Untitled-figurine-Mizrachi-no.-007-inverse-from-a-%E2%80%9CBlack-Market%E2%80%9D-Color-photography-inkjet-print-in-varying-dimensions-61x89-cm-1.jpg BLACK MARKET 2020 Untitled (figurine, 'Mizrachi', #007 inverse) from a “Black Market” (Color photography, inkjet print in varying dimensions) 61/89 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584061392-52UNGQSGYM7ZB89D3JDP/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig.jpg BLACK MARKET 2020 BLACK MARKET, Installation View, Braverman Gallery, Tel-Aviv Yaffo 2020 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584112056-JZ4UHNM8EFERBSJJ5SIY/Untitled-figurine-Mizrachi-no.-009-Front-from-a-%E2%80%9CBlack-Market%E2%80%9D-Color-photography-inkjet-print-in-varying-dimensions-132x162-cm-1.jpg BLACK MARKET 2020 Untitled (figurine, 'Mizrachi', #009 Front) from a “Black Market” (Color photography, inkjet print in varying dimensions) 132/162 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584112601-2NTZ1JGKXC6KAD9QHBJ9/Untitled-figurine-Mizrachi-no.-009-Back-from-a-%E2%80%9CBlack-Market%E2%80%9D-Color-photography-inkjet-print-in-varying-dimensions-132x162-cm-1.jpg BLACK MARKET 2020 Untitled (figurine, 'Mizrachi', #009 Back) from a “Black Market” (Color photography, inkjet print in varying dimensions) 132/162 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584118486-PNP97RB1D54VUMCEVLWL/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig-4.jpg BLACK MARKET 2020 BLACK MARKET, Installation View, Braverman Gallery, Tel-Aviv Yaffo 2020 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584160465-8TF64YC30X0KUOVNTERS/Untitled-figurine-Mizrachi-no.-004-Black-from-a-%E2%80%9CBlack-Market%E2%80%9D-Color-photography-inkjet-print-in-varying-dimensions-35x51-cm-1.jpg BLACK MARKET 2020 Untitled (figurine, 'Mizrachi', #004 Black) from a “Black Market” (Color photography, inkjet print in varying dimensions) 35/51 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584122365-ZMBKW857D62SYL778YMY/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig-3.jpg BLACK MARKET 2020 BLACK MARKET, Installation View, Braverman Gallery, Tel-AvivYaffo 2020 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584167192-68ZZOVWJFF58M4UO04YP/Untitled-figurine-Mizrachi-no.-010-A-from-%E2%80%9CBlack-Market%E2%80%9D-Color-photographyinkjet-print-in-varying-dimensions-146x182-cm-1.jpg BLACK MARKET 2020 Untitled (figurine, 'Mizrachi', #010 A Sun Light) from a “Black Market” (Color photography, inkjet print in varying dimensions) 146/182 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584179091-A81AK3SZYYETLO1TKF0F/David-Adika-Black-Market-Braverman-Gallery-2020.-Photo-by-Elad-Sarig-9.jpg BLACK MARKET 2020 BLACK MARKET, Installation View, Braverman Gallery, Tel-Aviv Yaffo 2020 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609584190880-UFF4RO7U4CC8AVVSYVRS/Untitled-Vase-D.A.A.B.S-A-from-Black-Market-Color-photography-inkjet-print-in-varying-dimensions-54x78-cm.-1.jpg BLACK MARKET 2020 Untitled (Vase, D.A.A.B.S A) from a “Black Market” (Color photography, inkjet print in varying dimensions) 54/78 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609588051762-SWTPEUKVLAV3QYAQ04DP/Untitled-Alikma-Photogram-no.-002-from-%E2%80%9CBlack-Market%E2%80%9D-BW-Photography-36x54-2.jpg BLACK MARKET 2020 Untitled (Alikma, Photogram No. 002) from “Black Market”, B/W Photography, Silver Print 36/54 c”m https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1609588066782-ZA6O2L1LJKHELSAG4Q7L/Untitled-figurine-Mizrachi-no.-010-B-inverse-from-a-%E2%80%9CBlack-Market%E2%80%9D-Color-photography-inkjet-print-in-varying-dimensions-1.jpg BLACK MARKET 2020 Untitled (figurine, 'Mizrachi', #010 manipulated inverse) from a “Black Market” (Color photography, inkjet print in varying dimensions) http://www.davidadika.com/of-david-a-psalm-2022 daily 0.75 2022-11-09 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030224318-WKX7HPYNUYB802CNUTY0/Magasin+III+-+David+Adika28205.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. A psalm, Installation View, MAGASIN III Jaffa, 2022, curator: Karmit Galili (photo: Noam Preisman) Already in the lyrical connotation of the title, For David, a Psalm, artist David Adika provides a cue to the heart of the exhibition. Taken from the book of Psalms, the title questions the relationship between inspiration and creation: was King David possessed with divine inspiration before he spoke poetry, or rather poetry came first, and only then followed by divine inspiration? This reciprocal relationship between inspiration and artistic creation is central to this exhibition. https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030224318-WKX7HPYNUYB802CNUTY0/Magasin+III+-+David+Adika28205.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. A psalm, Installation View, MAGASIN III Jaffa, 2022, curator: Karmit Galili (photo: Noam Preisman) Already in the lyrical connotation of the title, For David, a Psalm, artist David Adika provides a cue to the heart of the exhibition. Taken from the book of Psalms, the title questions the relationship between inspiration and creation: was King David possessed with divine inspiration before he spoke poetry, or rather poetry came first, and only then followed by divine inspiration? This reciprocal relationship between inspiration and artistic creation is central to this exhibition. https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030244160-VBJLNJQ8A0EPJRV04UH2/Magasin+III+-+David+Adika28164.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. A psalm, Installation View, MAGASIN III Jaffa, 2022, curator: Karmit Galili (photo: Noam Preisman) More than a photography exhibition, For David, a Psalm is an exhibition on photography. By photographing fellow photographers, Adika deals with the passion for photographing and the exchange of gazes between the photographer and his subjects. He examines questions of representation and esthetics while raising thoughts about the body, society, and community and how we perceive photographs. https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030263857-QLK18V6CG7YHPFMMOKAS/Magasin+III+-+David+Adika28187.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. A psalm, Installation View, MAGASIN III Jaffa, 2022, curator: Karmit Galili (photo: Noam Preisman) Throughout his photographic practice over the years, Adika elaborated a visual language shaped through ethnic, national, local, sexual, and cultural identities while providing his work with a recognizable personal mark. His photographs not only refer to existing identities but also attempt to shape new ones. https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030285859-YM0F0EXJNDXJVT823RQL/Magasin+III+-+David+Adika28195.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. A psalm, Installation View, MAGASIN III Jaffa, 2022, curator: Karmit Galili (photo: Noam Preisman) In For David, a Psalm, these aspects are joined by his identity as a photographer. The exhibition includes twelve portraits of photographers; some are his friends, colleagues, and former students. The encounters with fellow artists transcend the final photographs taken. Each portrait embodies a meeting between different approaches, themes, and techniques. Just as in the endemic belief that something is robbed of the soul when the photograph is taken, Adika asks his fellow photographers for much more than their image. He uses encounters to debate the medium itself. Not unlike a wildlife photographer, he sets out to capture the members of his species to learn from them something about his own identity. https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030295756-4XNPH7NTIWW07CDB7XCS/Magasin+III+-+David+Adika28216.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. A psalm, Installation View, MAGASIN III Jaffa, 2022, curator: Karmit Galili (photo: Noam Preisman) In addition to the portraits, the exhibition features still lifes; flowers, figurines, a shell, a book, and a jar – transitional objects that are placed between himself and his subjects, their reflection in his work. These objects also represent the domesticity coming into being through the photographs. The exhibition is constructed in the form of a house whose walls were pulled apart, a dismantled living unit, that reconstructs not only the space where the photographs were taken but also creates a deceptive space where the viewers can no longer possess their gaze, since every point in the exhibition, unfolds multiple gazes – multiple stories. https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030308081-AULP9CHF0QT86HKK7YEN/Magasin+III+-+David+Adika28223.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. A psalm, Installation View, MAGASIN III Jaffa, 2022, curator: Karmit Galili (photo: Noam Preisman) The photographs in the exhibition were produced using a large-format camera and analog film, to return to the material legacy of celluloid film and photographic emulsion. This procedure adds another layer of intimacy to the encounter with the photographed subjects. The ritual that is formed at the moment the photograph is taken – the moment when Adika disappears behind the camera and the subjects are asked to hold their breath and stay still – all contribute to the richness of the portraits. There is something palpable in these portraits, something pictorial and almost three-dimensional. The bodies are rendered near life-size. Walking through this dismantled house, the viewers find themselves close, maybe too close, to the sizable portraits, almost colliding with them: viewers are forced into a certain degree of intimacy. For a moment it is no longer clear who is looking at whom, with the viewer’s gaze fusing with that of Adika’s and subsequently forming a third new kind of gaze. Karmit Galili, 2022 https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030319276-C5Q74Q1T5WRHY3LBDKZK/Magasin+III+-+David+Adika28232.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. A psalm, Installation View, MAGASIN III Jaffa, 2022, curator: Karmit Galili (photo: Noam Preisman) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030332735-T6Y40E10Z7TXR0893NDN/Magasin+III+-+David+Adika28242.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. A psalm, Installation View, MAGASIN III Jaffa, 2022, curator: Karmit Galili (photo: Noam Preisman) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030363049-TBCN0WQIANK8HZWU5SMZ/Magasin+III+-+David+Adika28280.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. A psalm, Installation View, MAGASIN III Jaffa, 2022, curator: Karmit Galili (photo: Noam Preisman) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030371249-27PS208UKIQTL0UYQOCE/Magasin+III+-+David+Adika28294.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. A psalm, Installation View, MAGASIN III Jaffa, 2022, curator: Karmit Galili (photo: Noam Preisman) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030380420-YLG1V7TQR6AW5SEMDLY1/The+Backstage+Hotel28299.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. A psalm, Installation View, MAGASIN III Jaffa, 2022, curator: Karmit Galili (photo: Noam Preisman) https://images.squarespace-cdn.com/content/v1/52021451e4b02c9e7bb8958a/1668030394291-V8NQP9UHK5RU4DI0HJC2/The+Backstage+Hotel28307.jpg Of David. A psalm 2022 / MAGASIN III Jaffa Of David. 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